#putting myself through the possible horror of being perceived

[avariceaside]

Space time out with @wolfythewitch's tma oc

[lakesbian]

ok my brain Definitely isn't going to sop in any words if i try reading so i went back up to the start of 1.7 and i'll try later but here's my present scan of the blake thorburn psychological complex. he's, as we have previously covered on the pact time hour, a guy who is sooo distressed by not having clear bodily autonomy & physical + psychological identity--due both to previously discussed prior traumas, i.e homelessness, presumed prometheus event*, generally shitty childhood &c + previous & currently encroaching consumption/erasure of his identity by family legacy/by what he's 'supposed to be' under that legacy (rose?). and he responds to this matter by aggressively bolstering the identity he has constructed for himself--cf. 'would literally rather bleed than not shave and fail to maintain his physical identity.' i think when he says all this:

“There were worse days.  Days I’m probably never going to talk to you about.  Or tell anyone about, even if some people close to me maybe put some of the puzzle pieces together.  I’m not aiming for pity here, I don’t want it.  I don’t want to use this for leverage to win an argument.  What I was going to say was that I’ve been through stuff, before any of this, and I made it this far with my instincts.  I can’t and won’t abandon them.”

there is obviously the surface level train of thought he has going here that's "i'm only alive because of my own instincts and my own ability to take care of myself" -> "i can only rely on myself because i'm the only one i can trust to have my back" -> "i would be abandoning my only protection if i didn't rely solely upon myself unless i have literally no choice but to request help." but i think there's also a deeper facet to his control issues where he views giving up any inch of his autonomy over his own decision-making as abandoning an aspect of himself (the language 'abandon' is used!), as allowing his identity to be eroded by forces beyond his control. hence why he's like "Please please for the love of fucking god compromise with me" & then thinks "compromise" means "you compromise by agreeing to do exactly what I want and I compromise by undergoing the mortifying ordeal of having experienced slight resistance to my idea." this is not the first time he's steamrolled over rose because he perceives having to answer to another person wrt his decisions abt his own safety as a threat to his identity & it will not be the last ♥

from, like, the gender aspect of things, i imagine rose is used to being trampled over by men who are very deeply convinced they Know Better, and blake is very used to being a guy who thinks he knows what's best for him + cannot possibly trust anyone else to know. they're both in a situation where if the decisions they make as a team aren't right they're both kicking the bucket (or experiencing something Worse than kicking the bucket), but blake is very materially the one with more power & final decision-making capability, which sucks for him and sucks even more for rose. i'd say that i think tensions are going to keep rising over it, but i actually think it's more likely that it's just going to result in blake doing something which engenders Dire Consequences for him before the tension can reach a boiling point. rose's assessment that there's no room to fuck around and find out without Bad Things Happening is accurate--the horrors are not going to politely wait for him to sort his shit out.

anyway. tl;dr the fact that he is literally psychologically incapable of tolerating someone fairly calmly critiquing an action he took after the fact--not even stopping him from doing it, because she can't, but just critiquing it--means that he is going to continue having a bad time hanging out with her, a badder time making reasonable decisions (two heads are better than one and he is only using the one), and a baddest time experiencing the consequences of his actions

hmm. actually talked myself into having an alright understanding of the start of the chapter. fine i'll keep reading

[lemonhemlock]

So then, maybe a weird ask, how would you write or explore Lucemond?

So, a couple of months ago, I accidentally stumbled upon this lucemond fic that completely rearranged my chakras. Thing is I tried to find it recently but couldn't, so perhaps the author deleted it, which is such a pity because it was truly spectacular. I don't remember a whole lot bc it was late at night when I read it (thinking I would come back to it later), but it was very much surreal poetry body horror. I am not a gore girly at all, but the language was mesmerising. I happen to have sent my bf a few snippets for shock value (also not a gore enjoyer), so I can share the little of it I saved:

The tender jelly of Lucerys’ eye bursts like a ripe grape between teeth, climbing, sheer white, up Aemond’s blade, as if it were dripping wax.

Its viscous liquidity leaving no gruesome trophy or good-luck charm to pickle in vinegar and make a gift of, Aemond decides to lick the mucoid fluid from the metal and impel it through his own flesh. When he puts the blade to his tongue no taste but that of his own blood stains the quivering muscle.

If the author of this fic happens upon this post, I'd just want to let you know your talent with words was very appreciated. 🙏

Returning to the topic, I would definitely keep this element and lean into the horror aspect. I'd keep some background jace/luke as vibes, with aegond on the opposing side to make it as spicy and convoluted as possible. (It took me ages to remember I have a jaceluke tag since I hid it so well from team black I ended up hiding it from myself, too. Updated my tags list with this occasion lest we forget!)

Readers of my blog will know by now that I sometimes go on rants about The Magnus Archives, but, bear with me, I think we could borrow some elements to make lucemond really extra fucky. So, within the TMA universe, there are several entities that govern different sets of fears and the one I like the most and the one I think fits really well here is The Beholding - so lots of eye imagery, the fear of being perceived, of secrets being revealed, of forbidden/awful knowledge, of knowledge that would destroy you, of being exposed or shamed or judged. The problem I have with Luke (which permeates a lot into lucemond fics) is that he's so fucking boring and milquetoast & doesn't really react / isn't affected enough by the events surrounding him, so much so that it kind of turns him borderline sociopathic, just in the most boring way possible. So let's give him some internal conflict!

I would give Luke a serious case of scopophobia, basically turn him into the perfect victim for the Beholding. Make him realise deep down that he's a bastard and how much danger he's in because of his mother's lies and gaslighting. Make him terrified of becoming Lord of Driftmark, like actively paranoid some Velaryon cousin is going to slash his throat in his sleep or something (maybe even Rhaena??) Have that intensify after Vaemond's execution, because now the blacks have already spilled first blood in his name. Have him feel increasingly isolated from his family because they feel like he's exaggerating and don't really grasp the gravity of the situation - in addition to more gentle gaslighting done by Rhaenyra, who thinks this is the proper way to assuage his fears (even ridiculous stuff like how he shares blood with Borros Baratheon via Rhaenys), and more violent type of suppression by Jace, who absolutely does not want to hear about how they're bastards and everybody knows about it. So the fear of being perceived, of his "secrets" being revealed, only worse, because they're already out in the open, so what he really fears is shame and judgment, which could come at any minute. Any person could at any time start pointing out what an obvious bastard he is and the entire foundation of his life would start cracking.

This intense fear of judgment would be where lucemond comes into play. Aemond as a person he actively harmed, an act that he did his best to sweep under the rug, absolutely horrified to face him, because that would mean facing his actual crimes; the punishment/retribution for that would have to be immense and he's not in a proper headspace to handle that. When he finally sees Aemond again, fighting fit and ready to go, all those feelings of inadequacy would come crashing down. Aemond casting his single eye of furious judgment on Luke, painfully aware of each and every one of Luke's flaws and planning his wrathful comeuppance!

In TMA, I really enjoyed the statements where The Eye would terrorize their victim* because I personally found it hilarious, so I think I'd try to recreate that dynamic a bit between Aemond and Luke. Whether it veers into body horror and violence or remains at the promise of violence and psychological torment, I think there's a lot to explore in a funky, novel way that doesn't involve this unearned Romeo and Juliet binomial.

If you're really intent on turning this sexual, I think an under-discussed aspect of the eye-gouging is how Luke essentially gave Aemond a huge disadvantage when it comes to participating in traditional masculinity, something that we know Aemond cares a lot about - being a model Targaryen prince, having the depth perception necessary to ride his dragon, his martial prowess, even him being suitably attractive to the opposite sex. It wouldn't be outrageous to presume all of these new issues halted Aemond's sexual and social development and that it would make him feel Some Kind of Vengeful Way about it that would maybe manifest itself not in a very socially-appropriate way. Like, mayhaps, wanting Luke to undergo similar pains? ☠

For Aemond's side, I stumbled on this tik tok once that really encapsulates the kind of vibes I think would be really fun to play with. A corruption arc, being consumed by vengeance, allowing yourself to give into your worst impulses, contemplating the nature of justice etc.

For the aegond bit mentioned above, I really like this idea. Luke pondering which is worse: facing Aemond directly or being decimated by his big brother, who he himself once looked up to.

___________________________________________________________

*Here is an example if anyone is interested in the vibe I'm going for. I bookmarked the clip for when the statement begins, because the rest of the episode is filled with the metaplot: MAG 193 A Stern Look,

Some quotes from the transcripts!

He recognises those eyes. He’s seen them all his life, watching him, judging him, cutting through him so no part of him was secret or safe. They peel away the armour, his carefree smile and practiced shrugs. 

His mind races. He can’t tell the truth, obviously. Elias can’t look this man in the face, and tell him that he is what scares him. That his eyes, the curiosity and judgement that pulses out of them, they terrify him in a way he can’t put into words. He feels that prickly panic building in the back of his skull, that worry that spills through: he knows. 

A cough from over the desk breaks his train of thought. His interviewer is staring at him, and all at once he’s back with himself, burning with embarrassment. Those eyes stare, impassive and stern as ever, but… is that a twinkle of satisfaction? As though he has been given him an answer he likes.

He stops. Those eyes. They know. They can see right through all his bullshit, right to the core of him. They know what he really thinks.

[thehorrorshaverottedmybrain]

I've spent all of my life believing to one extent or the other that I need to cause as little trouble to the people around me as physically possible. Problem being that throughout my childhood, "trouble" meant speaking up when things bothered me; "trouble" meant asking for help; "trouble" meant lying when expected to; "trouble" meant having my own thoughts and opinions; "trouble" meant having a personality.

After living like that my whole life I've developed an uncanny ability to morph myself around the (perceived) needs of the people I spend my time around. I am constantly cycling through a series of masks and I'm so used to how the feeling of being someone else that I don't even know if I have a self to return to anymore. It's such a strange thing to both not feel like I have a true self, but also feel like I'm failing to be my true self around the people I love.

The worst part is that no one asks me to do this and I know no one expects me to. I don't want to do it, but I don't know how to do anything else. When I'm around people, I feel my mind lock off access to certain parts of my brain and it feels like there's nothing I can do to stop it. I feel my accent disappear when I'm not around Jamaicans I already know. I feel the parts of my mind that know how to speak Patois stop working altogether and when I reach for them, it's like it's not even there. I feel my mind put up walls that I can't breach. I become a fraction of myself, or something wholly different. Depending on who I'm around I sometimes can't even recognize myself. Even when I'm with friends, I know I'm not fully myself and it kills me to think that my friends only know the parts of me my subconscious lets me show them.

Living like this my whole life, the horror of it is something I can only see in retrospect. Even writing this out, I struggle to even feel anything despite how fucked up I know this is. I know it isn't normal to feel myself change in a fraction of a second with no intention or desire on my part. I know it's not normal to not be able access something that I'd think is core to who I am, but it happens every single day, so I've just gotten used to it.

I don't know what to do about this. I don't really know why I'm writing this. Maybe someone else relates. If so, I'm so, so sorry you deal with this too, but you're not alone.

[deerydear]

Returning to an analysis of the Captive Mind:

pg. 215

"The judgments of an individual man can always be wrong; the only solution is to submit unreservedly to an authority that claims to be unerring.

But what can the doctrine do about the unformulated longings of men? Why does a good Commu­nist, without any apparent reason, suddenly put a pistol to his head? Why does he escape abroad? Isn't this one of those chasms over which the scientifically constructed bridges pass? People who flee from the people's democracies usually give as their chief mo­tive the fact that life in these countries is psychically unbearable. They stammer out their efforts to ex­plain: 'The dreadful sadness of life over there'; 'I felt I was turning into a machine.' It is impossible to communicate to people who have not experienced it the undefinable menace of total rationalism. To forestall doubt, the Party fights any tend­ency to delve into the depths of a human being, es­pecially in literature and art. Whoever reflects on 'man' in general, on his inner needs and longings, is accused of bourgeois sentimentality. Nothing must ever go beyond the description of man's behavior as a member of a social group. This is necessary because the Party, treating man exclusively as the by-product of social forces, believes that he becomes the type of being he pictures himself to be. He is a social monkey. What is not expressed does not exist. Therefore if one forbids men to explore the depths of human nature, one destroys in them the urge to make such explorations; and the depths in themselves slowly become unreal.

I should like to clear up in advance a possible misunderstanding. Personally, I am not in favor of art that is too subjective. My poetry has always been a means of checking on myself. Through it I could ascertain the limit beyond which falseness of style testifies to the falseness of the artist's position; and I have tried not to cross this line. The war years taught me that a man should not take a pen in his hands merely to communicate to others his own despair and defeat. This is too cheap a commodity; it takes too little effort to produce it for a man to pride himself on having done so. Whoever saw, as many did, a whole city reduced to rubble - kilometers of streets on which there remained no trace of life, not even a cat, not even a homeless dog - emerged with a rather ironic attitude toward descriptions of the hell of the big city by contemporary poets, descriptions of the hell in their own souls. A real 'wasteland' is much more trouble than any imaginary one. Whoever has not dwelt in the midst of horror and dread cannot know how strongly a witness and participant pro­tests against himself, against his own neglect and egoism. Destruction and suffering are the school of social thought.

Yet, if the literature of socialist realism is useful, it is so only to the Party. It is supposed to present reality not as a man sees it (that was the trait of the previous realism, the so-called 'critical'), but as he understands it. Understanding that reality is in mo­tion, and that in every phenomenon what is being born and what is dying exist simultaneously - dialec­tically speaking, this is the battle between the 'new' and the 'old' - the author should praise everything that is budding and censure everything that is becoming the past. In practice, this means that the author should perceive elements of the class struggle in every phenomenon. Carrying this reasoning fur­ther, the doctrine forces all art to become didactic. Since only the Stalinists have the right to represent the proletariat, which is the rising class, everything that is 'new' and therefore praiseworthy results from Party strategy and tactics. 'Socialist realism' de­pends on an identification of the 'new' with the pro­letariat and the proletariat with the Party. It presents model citizens, i.e. Communists, and class enemies. Between these two categories come the men who vacillate. Eventually, they must-according to which tendencies are stronger in them - land in one camp or the other. When literature is not dealing with pre­fabricated figures of friends and foes, it studies the process of metamorphosis by which men arrive at total salvation or absolute damnation in Party terms.

This way of treating literature (and every art) leads to absolute conformism. Is such conformism favorable to serious artistic work? That is doubtful. The sculptures of Michelangelo are completed acts that endure. There was a time when they did not exist. Between their non-existence and existence lies the creative act, which cannot be understood as a submission to the 'wave of the future.' The creative act is associated with a feeling of freedom that is, in its turn, born in the struggle against an apparently invincible resistance. Whoever truly creates is alone. When he succeeds in creating, many followers and imitators appear; and then it seems that his work confirms the existence of some sort of 'wave of his­tory.' The creative man has no choice but to trust his inner command and place everything at stake in order to express what seems to him to be true. This inner command is absurd if it is not supported by a belief in an order of values that exists beyond the changeability of human affairs, that is by a metaphys­ical belief. Herein lies the tragedy of the twentieth century. Today, only those people can create who still have this faith (among them are a certain num­ber of Stalinists who practice Ketman), or who hold a position of lay stoicism (which, after all, is prob­ably another form of faith). For the rest there re­mains the sorry lie of a safe place on the 'wave of the future.'"

-- Czesław Miłosz

[https-chaos]

Its 4am and I'm exploring my gender under the cut. I'm conflicted again <3 if any transmascs feel like reading I'd love to hear if you felt similar feelings before realizing you were trans or if I'm reading too much into it lol.

Just autism things

So I don't really have feelings one way or another about my gender normally. I did have a significant breast reduction and would have had them removed if I didn't think it would make wearing clothes a challenge. I have a pretty dramatic waist to hip ratio and don't mind being perceived as feminine.

But. BUT. When I put on that fuckin strap. Ooooooohhhhhhhh that is simply not fair. Im addicted to the insane euphoric head rush I get when I see myself wearing that ridiculous contraption. The POWER. You feel like a ManTM. Every time I fuck a woman the ManTM feeling flows through me with a power I've never felt about being female.

It feels like this:

Having tiddies: eh. Sucks. Uncomfortable. Painful. But they are soooososososo squishy and make me feel sexy and good.

Having a vagina and all the related plumbing: neutral. I think having a dick would be easier for a lot of practical reasons but for sex purposes I have no strong opinions about genitals.

Having a traditionally "feminine" body and being perceived as female, having people who are attracted to women be attracted to me: love it. Desire me @ all lesbians. Men can look too I guess. Only downside is the horrors.

Presenting in a feminine way: neutral. I am really into fashion and makeup and hair, and if I had a different more masculine body I would just wear whatever styles and cuts looked best. I don't actively try to perform femaleness, I think it just happens. I don't have any real connection to feminine clothes or femininity in general and it doesn't make me feel good or bad about my gender. Wearing clothes that fit my body nicely feels amazing but not in a gendery way.

Wearing the strap: I AM A MAN. He him baby. Call me daddy. Grr. I feel the nonexistent testosterone coursing through me. Every time I fuck a woman I come even though it's not even touching my clit or anything. This is by far the strongest and possibly the only sensation or emotion of "gender" I have ever had. It's so overpowering that if I close my eyes I can imagine looking down myself at a male body and loving it. The second I take it off this feeling disappears completely and the whole time I'm never feeling uncomfy about my boobs or anything. Like I imagine having a flat chest and straight torso and it's awesome af but it doesn't make me feel icky about my actual body.

But GOD!!! The sensation of MASCULINITY that completely envelops me. Whew. It's so powerful. Let me ENTER you babe. Even imagining it is crazy. Quite possibly I'm just very attracted to women and also slightly a top. Where is the line between being a lesbian, wearing a penis, and being a man having one? Maybe my imagination is just too active.

Another facet of it: I write so much gay fanfic. I've been writing it since I was too young to be writing smut. Over the years I've built a little gay man in my head. He's so so sosososoo attracted to men. He's masculine and hairy and he helps me capture the feelings for my fics. (To be clear, this isn't a hallucination or anything. It's more like a really well fleshed out OC. I just visualize him when I need to write from the perspective of a man attracted to men.)

But then sometimes I'll be doing something and get a little wave of attraction to a man in a very distinct mlm fashion. There's a powerful sensation of not being a woman attracted to a man in a straight way, but of a man being attracted to a man in a gay way. To me, it's always seemed to come from this character I created, like my fanfic character was popping in to point out some guy's abs or ass. I don't have any idea how to tell if that's MY attraction and gender or if I'm just habitually in writing mode. Was that a bit of dialog I just came up with or my own thought? It's hard to tell.

Anyway, when I write I sort of become that detailed character I made. When I'm deep in writing a fic, in my mind, I'm 6' tall, hairy, a little chubby, and could probably lift and throw my real body across the room. I get the ManTM feeling and again it's an abnormally strong gender feeling for me. Again it stops without causing dysphoria as soon as my attention is broken, but I will say it's quite the whiplash to switch in your minds eye like that.

I don't think I'm capable of gender dysphoria. The strongest gender sensation I feel regularly is highly masculine, but I don't have any particular objections to being perceived as a woman. But I have never, ever felt WomanTM in the same way. Why do I connect so strongly to masculinity in specific circumstances? It's not all the time which is why I get confused. Atm I don't feel like a man or a woman.

Also I'm not hip so idk if you're supposed to say you're non-binary when someone asks "are you a man or woman" and you go uhhh,,, neither? Both? But they them feels exactly like she her and he him. They all feel equally neutral. The neos too. I imagine people talking about me on a stage every time I see a new pronoun set and none of them illicit a response.

Except of course when I'm wearing the strap. Infernal contraption. Stop making me confused.

Actually I'm being a little dramatic about the conflict. I'm not sitting here being upset that I have no relationship with my gender. I'm simply autistic and study myself like a lab specimen 24/7 and people always think my observations are complaints. I'm not complaining; in fact, this is great fun to me! That ManTM feeling is so powerful and so intensely pleasant and I enjoy it when it happens.

Anyway it's. 5am now. I barely proofread this let's hope it's coherent <3 goodnight

[charismawizard]

It's more like I've tricked you into reading an informal cited essay, but I will also accept TEDTalk. Anyways, we are all well aware of the influence of "I Have No Mouth Yet I Must Scream" on the fabric of The Amazing Digital Circus, but let's talk about Six Characters in Search of an Author, Descartes' very normal activities, and brains in jars.

For those unaware, Six Characters in Search of an Author is an Italian meta-play by Luigi Pirandello. Not to mention it was originally released in 1921, which—considering all these factors—means it's super accessible and easy to read for the average person (said nobody)! However, to give Pirandello credit, he did release a third edition in 1925 with a foreward clarifying the play's structure and intent. This is where we're going to start with our deconstruction. Six Characters in Search of an Author is a story that is truly exactly what it says on the tin. It is a narrative about six characters, with no true name, in search of an author/a reason for their existence/someone to blame. Sound familiar? While the actual story itself is certainly no one to one for the digital circus, the purpose itself is. To some extent, it is a meta-narrative, as it is immediately recognizing the real world through not only characters like Pomni bringing it up, but reminding us the state of the digital circus is finite. An environment can be generated, but the flower pot is still gonna glitch through the floor. Returning to the 1925 foreward I mentioned, Pirandello states,

"If the six characters don't all seem to exist on the same plane, it is not because some are figures of first rank and others of the second, that is, some are main characters and others minor ones -- the elementary perspective necessary to all scenic or narrative art -- nor is it that any are not completely created -- for their purpose" (Pirandello, 7).

In summary, what Pirandello is saying here is that there is no true ranking amongst his characters in the traditional sense of a main character, minor characters, etc., as they are all created explicitly with a purpose. "... the Father, the Step-Daughter, and also the Son are realized as mind; the Mother as nature; the Boy as a presence watching and performing a gesture and the Baby unaware of it all" (Pirandello, 7). Once again, this is not meant to serve as a one to one for the digital circus, but rather a point of reference. We must remember, before characters are entities we let run loose in our heads, they are concepts (Editor’s Note: Another, more popular, piece of text to help better visualize this concept is Cormac McCarthy’s The Road). Within the realm of absurdism, with later thinkers such as Sartre, concepts are far more important to understanding the characters than trying to put a fine point on their personalities. For example, Pomni is the only one with a symbolic name; Pomni, as many have pointed out, is the Russian word for "don't forget/remember". What is Pomni's purpose as a character in this pilot? To reckon with the existential horror of forgetting/being displaced that the others have become disillusioned by. Or, put more succinctly, "Yes, but haven't you perceived that it isn't possible to live in front of a mirror which not only freezes us with the image of ourselves, but throws our likeness back at us with a horrible grimace?" (Pirandello, 84).

This is where Descartes comes into the picture. You see, Rene Descartes was... a weird guy, putting it mildly. This is the guy who decided to lock himself in his house for a while so he would lose his mind, then he would write theories about it. This is where "I think, therefore I am" came from, specifically Descrates' First Meditations. However, there is an important larger context to be taken from Descrates' First Meditations when it comes to what abstraction is. Losing your mind? Yeah, of course. But more than that, it is the loss of recognition of reality.

"But in thinking over this I remind myself that on many occasions I have in sleep been deceived by similar illusions, and in dwelling carefully on this reflection I see so manifestly that there are no certain indications by which we may clearly distinguish wakefulness from sleep that I am lost in astonishment. And my astonishment is such that it is almost capable of persuading me that I now dream" (Descrates, 1-7).

As we see at the end of the episode, no abstracted person actually dies, they glitch. Their bodies are still not free of this world that they have been forced into because they entirely forgot who they are. They've forgotten who they are on a physical level when they arrive, yes, having been forcefully dissociated from humanity. However, they do not forget the core of their being. None of them cope in a way that resembles the other, nor do they attempt to really be friends. Rather, much like in the world of Six Characters, they coexist. They serve a greater purpose until they unravel too soon for it to be fulfilled, thus someone else files into their place. Out with Kaufmo, in with Pomni slotted into a suspiciously similar archetype. The person, the one in the headset, doesn't matter. What does is the fulfillment of their role. However, that does not answer the question of what causes abstraction OR if it's an inevitability. So allow me to ask you another philosophical question, one inspired by Descrates' original line of thinking. Do not try to apply scientific logic to this, that is not important to the exercise in this moment. Now, imagine, you are a brain in a jar (Yes, we finally have come to the brain in the jar section, whoopee!). The reason how you ended up there varies, evil scientist, machine, whatever. You have no body, you are only a brain, that is all you are/have been. Conveniently, you are hooked up to a system that perfect simulates the outside world. The question Cartesian thinkers are trying to get at with this scenario is this: How can you, reader, truly intuit you are NOT a brain in a jar?

What we are seeing, when Kaufo abstracts, is not only a man losing his mind, but losing his sense of grounding. How can be sure he was not always Kaufo? How can he be sure there was definitively a before? If there is no exit, how was there an entrance? What does an exit even mean? You see where this trail of thought leads. But, there comes a bigger question that The Amazing Digital Circus has so generously supplied, what does it mean when the brain is taken out of the body and put into the jar? What does it mean to recognize a body is not yours, but have no concept of what your body should actually be? The Amazing Digital Circus, at its core, is a work of metafiction. It is sitting among a long line of absurdist works that came before it which comment on the very nature of fiction/participation in fiction and how that crossovers into the modern age. Think of how just recently we've seen voice actors have their voices turned into AI against their will with no protections against it. Participation, for the world of the digital circus, is mandatory. You must participate in the sisphyusian task of maintaining an inkling of self each day in service of a higher power. In the eyes of the digital circus, you are no longer a person: you are a character and you will stay in line. You must play these games to combat the inevitable moment you forget you were not just once a brain in a jar. They're characters, but they're also concepts. They represent real moral dynamics and ideas. By examining the roles they fill as characters, you begin to understand the direction of the narrative.

would you all still love me if i made you think about philosophy with tumblr's new blorbos? because i got thoughts that i think are very important to understanding the tropes at play, but i also understand philosophy makes people hiss at the sun

[drarrily-we-row-along]

Day 106: Eyes

"Malfoy," a voice called as his hair was pushed out of his face and his chin was tilted slightly. "Malfoy," the voice repeated.

Draco was quite certain he must be hallucinating, there was no way that it was who it sounded like.

"Draco," that voice said again, "Wake up."

His eyes fluttered open and he groaned in pain as the light seared through his retinas and straight into his brain.

"Hey," Harry bloody Potter said.

He opened his mouth and spit out a bit of blood.

"Merlin," Potter said, "Do you think you can stand?"

"Yeah," he grunted. "Yes. I'm fine. Thank you for your assistance, Potter."

The other boy huffed a laugh, "Sure. Come on. Let me help you get to Madam Pomfrey."

He shook his head, "Don't let me keep you from your important life," Draco said as he stood up and reached out to steady himself on the wall.

"Draco," he said.

Looking through his swollen eye, he tried to glare at the other boy. "Harry." he parroted.

"You don't have to be so stubborn," he said with a laugh.

He took a step toward the infirmary and his knees buckled.

Potter caught him and put an arm around his waist. "Come on."

(Read more below the cut)

"What? No one else to save?" Draco asked through clenched teeth as he started to hobble off down the hallway using Potter as little as possible.

"Not at the moment, no," Potter quipped. "You want to tell me who did this to you?"

He let out a humorless chuckle, "It doesn't matter."

Potter hummed and caught Draco when he started to slip a bit. "I've got you," he murmured.

Draco tried not to let the words go to his head.

----------

After they'd reached the infirmary Potter tried again to get Draco to tell him what had happened but there was honestly no point.

Madam Pomfrey had shooed Potter out and then Draco had a few hours of peace and quiet while his wounds were healed. Fortunately he had a good book in his school bag, which Potter had carried up for him.

"Why don't you stay over night, love," Madam Pomfrey said and Draco looked up from his book. "You're not quite ready to go back yet and it's just about bed time anyway."

"Thank you," he replied, giving her a little smile before going back to his book.

Shortly thereafter, the door to the infirmary flew open and Draco's head snapped up. Normally an entry of that magnitude meant that something horrible had happened.

But it was just Potter, looking thunderous as he stormed over to Draco's bed.

"Madam Pomfrey's just gone to bed," he said as he closed his book and set it on his lap. "If you've come here to inflict more damage, perhaps you could wait until the morning for her sake."

That stopped the other man in his tracks. "I'm sorry. What?"

"Just, whatever it is that's made you look murderous, I'm sure it's warranted but I do think that Madam Pomfrey deserves a good rest, don't you?"

"I'm not," he shook his head, "I'm not here to hurt you."

"Oh."

Potter rubbed a hand over his face. "I found Smith."

"Ah," he replied.

"He said that you didn't even raise your wand to cast a shield charm to protect yourself," Potter said as though he was personally offended by this.

Draco shrugged.

"Why?" Potter asked. "Hermione thinks it's because the Ministry has told you what spells you can and can't cast, and if that's the case, I'll write a letter to Kingsley right now-"

"It's not because of the Ministry," he interrupted.

"Then why-" he started before pulling over a chair and plopping down next to Draco's bed, "Why do you keep letting this happen to you?"

"I don't see them," Draco replied, staring at his hands that were twisting together in his lap.

"Look me in the eye and tell me that you don't see them," Potter replied.

He shook his head, "Why does it matter?"

"Draco," he said, "You can tell me-"

"There's nothing to tell," he snapped.

"Look, I know that the war was hard on all of us-"

"You have no idea what the war was like for people like me," he interrupted, trying to keep his breathing under control and his voice low.

"No, I suppose you're right," Potter replied and Draco couldn't help but look over at him. "Would you like to tell me?"

"No!" he exclaimed. "There is nothing to tell! Just like there's no reason for me to tell you who keeps cursing me. And there is no reason for me to tell you that I don't stop them because I deserve it!"

They both sat in stunned silence; Draco breathing heavily, his heart hammering away in his chest and Potter just stared at him.

Potter broke first, "You-"

"Don't," Draco said, shaking his head. "Circe, Potter, don't say it. Don't tell me that I don't deserve it because we both know that isn't true."

"Draco," he breathed and it was like he was shoving a jagged, rusty knife straight through his chest.

"Don't," he repeated, begging this time.

"Draco, listen to me."

He shook his head and to his mounting horror a tear spilled from his eyes.

"It wasn't your fault," Potter said.

"Don't," he begged, wrapping his arms around his stomach as though it could stop the way his entire body felt like it was unraveling. "People died-"

"Yes," Potter agreed. "People died on both sides. From your actions, from death eaters actions, from the Order's actions, from my actions; people died. You never actually killed anyone, though. You don't have it in you."

"Potter, I am culpable for-"

"You never killed anyone." Potter repeated. "You didn't want to hurt people, you didn't want to kill people, you just wanted to protect your mum."

"Don't." He shook his head, "You don't understand."

"I actually killed someone," the other boy replied.

"The Dark Lord doesn't coun-"

"When I was eleven," Potter started and Draco was so shocked by those words that he didn't even interrupt. "You remember all of the commotion at the end of the year or first year?"

He nodded slowly.

"I killed Professor Quirrell," he said. "Long story short, because of the blood magic protecting me, he couldn't touch me and it killed him."

"But that's not-"

"Second year, Tom Riddle was sucking Ginny's life force so that he could come back, I killed him. I stabbed the horocrux with a basilisk fang and I didn't even think about it," he continued.

"But-"

"Last year, Pettigrew died because he owed me a life debt and he tried to kill me."

"But-"

"I not only was responsible for Voldemort's death the first time and the second time, I was responsible for killing seven pieces of his soul."

"But it's not the same!" he finally managed to get in.

"Why?"

"Because you were on the right side of things and I wasn't!"

The other boy shook his head, "Yeah but it's not like you wanted to be on that side."

"When I was young-"

"Oh sure," he agreed, "you were a complete arse. But we wouldn't have won if you had turned me in, if you hadn't given me your wand, if you'd killed Dumbledore. It's not who you are any more."

"Still," Draco whispered. "I fixed that closet."

He nodded, "And I can't count the number of things that I've done to cause deaths. Godric, Draco," he shook his head, "I don't sleep well as it is, but I'd never sleep if I held myself responsible for all of the horrible things that happened because of my actions."

"Potter-"

"Look, it doesn't have to happen in a day, but you can't keep doing this, Draco. You can't keep letting people hurt you to atone for your perceived sins."

He let his head fall back against the pillows. As much as he would love to live in the delusions that Potter was offering he couldn't imagine that world actually existed.

"Be my friend."

"Excuse me?" he asked, looking over at the other boy.

"Be my friend," Potter said. "Please."

"Why?"

He sighed, "Because..." he trailed off.

"I'm not a broken thing for you to fix."

"No," he agreed easily. "I'm the broken thing."

Draco stared at him, "You make no sense to me."

Potter grinned like he'd complimented him.

"Will it shut you up if I say yes?" he grumbled.

"For now," he replied with a nod.

"Fine."

"Alright," Potter said, sitting back and making himself comfortable in the chair.

"What are you doing?"

He gave him a little grin, "Being a friend. You're stuck with me like glue now."

"That's a boyfriend not a friend, you're confused."

Potter shrugged and said through a yawn, "Boyfriend, then. That title is fine with me."

"What-?" he started.

But Potter leaned over and pressed a kiss to his forehead as though it was the most natural thing in the world and every word that Draco knew evaporated. "Good night, Draco Malfoy. Sleep well."

He was so stunned that he said nothing in reply and by the time he'd gotten his thoughts in any semblance of order Potter was fast asleep; his head resting on his hand as he snored.

Draco shook his head and decided that he would just have to wait until the morning to straighten all of this out.

For now, he decided that it might be alright to spend the next few hours with the tiny, fragile ball of joy unfurling in his chest.

--------------

Day 105: Cuddle | Day 107: Charge

[interact-if]

Umm hi 👉👈 I realized that most of the asks you guys get are about games and rec lists. You guys deserve so much recognition for the work you put in this blog, so I wanted to ask if I can do a little get-to-know-the-mods thing? If that's okay!

1. Besides writing, what are your hobbies?

2. Do you have a niche interest right now?

3. Any fave songs/artists/bands?

4. Any fave movies/tv shows?

5. On a scale of 1-10, how likely would you survive in your wip's world?

You can totally ignore this if you guys want, no pressure. Anyway, much love to all the interact-if mods! You guys are incredible! ❤

We saw this ask and we went 👀 👀 👀 so we’re happy to answer! Thank you so much for the fun ask!

 We also rated our survivability in all of our collective games, since Mars isn't an author! Fun stuff! Spoilers, though: it’s really not looking so great for me (Dani) but that’s fine!!!  😌

1. I’m a photographer as well as a graphic artist (but not like. A painter/drawer kind of artist!) and, on a general level, a maker and a tinkerer!

2. Fountain pens! I only write with ink, and only with fountain pens, and I use bottled inks/converters!

3. I’m pretty eclectic with music, but my top genres are alt rock, indie, indie pop, etc, as well as top 40s and some rap.

4. I feel like this is the hardest one for me to answer? Favorite movies/shows? Avatar: the Last Airbender has been a favorite show of mine since I was a little kid, but I have a harder time thinking of shows I would call a favorite in recent years. There are shows I’ve liked, and a lot of shows I’ve watched. But I’m picky! And demanding! It takes a lot to earn a place in Dani’s Trophy Case of Favorites. 😌 I would say I quite liked A Quite Place (movie), and I liked Us (movie). When it comes to TV shows, I have a hard time being pleased with them if they don’t end well. As a result, I have a penchant for a good limited series/miniseries (because they’re stories that have an end in mind and the plot reflects that, dagnabbit).

5. Heh. Okay.

In The Goodfellows? I think I stand I chance. I can exercise my sparkling wit and lovable personality to the best effect. I’m gonna give myself an 8/10 survivability rating. Even if I don’t have the right skills, I can go crying to the person who does and they’ll save me. Maybe.

In Creatures’ Cradle? I’m super $**!%d. 😌 1/10 survivability rating. And that 1 is me being nice to myself. The day the apocalypse breaks out I would probably be patient 0. I am self-aware. I would not do well in an apocalypse. Zombies care not for aforementioned sparkling wit and lovable personality, and I have all the muscle of a boiled spaghetti noodle. So it’s a no go.

Greater Than Gods (Cruz): Well. I’m going to be optimistic. And say that I have the wisdom not to do things I shouldn’t do and not to rock boats I shouldn’t rock. I’m going to give myself a 7/10 based on insider information, but also based on reckless optimism!

Vardir (Cruz): Cruz says this is a lighthearted game, so 10/10 LOL.

When it Hungers (Roast): I’m giving myself a nice, mediocre 5/10. I think I could put my mind to work here; I joke that I’m the village idiot, but I’m actually pretty smart! Unfortunately, I’m also curious, and maybe a little bad with authorities who won’t answer my questions. So I knocked off a lot of points due to the fact that I’d probably poke the metaphorical bear. So it’s a real coin flip as to whether I’d really make it or not.

Orthall Bay (Nines): Considering the genre is “horror” and the game intro includes the words “monster” and “maim,” I’m giving myself a whooping, enthusiastic 3/10. Yes, folks, I am that confident in myself! Once again, I can’t charm the socks off a monster (or can I?), so one of my greatest weapons is snatched from beneath my feet. Alas!

1. Beloved I’m a college student in the middle of a pandemic... i can hardly even write LOL i do draw at times which u can see in my personal blog (nothing too good really) and i used to do karate before things went to shit <3

2. Nothing niche I believe? All I do is leave Netflix as bg noise every day n play popular videgames (genshin)

3. Porter Robinson <3 I love Bea Miller a lot as well but lately I’ve been feeling Porter a lot

4. The Good Place <3

5. My WIPs:

Greater than Gods: Highly situational, the world GtG is set in is as broad as the real world LOL so I don’t have an universal answer. But keeping it vague, and knowing my own personality, I feel like 5/10. depends on my luck.

Vardir: 10/10 no one dies in Vikgade, unless you’re a hunter but I wouldn’t be a hunter <3

Others’ WIPs

I'm gonna give myself a solid 5/10 in all other WIPs because y'all aren't writing lighthearted stories either. I feel like as long as I avoid the role of the MC I will be mostly fine. I hope. But as Dani said I'm also prone to fight the wrong person and dig my own grave so 😌

1. Well, writing is a very, very, very, distant hobby since Words Hard, but I like to crochet and sculpt a little! Anything to do with fiddling with my hands and I’m good to go. And like, debatable but graphic design is my passion [insert clown emoji here since Tumblr said No]

2. Oh yeah a bunch! DnD yelling at people, thinking of arson, crocheting, rock climbing and simply vibing. I got into podcasts a few years ago and I’m always looking for more recs, so if you have some, hmu 😤

3. Pls,,,,my music taste is,,,so weird do not let me expose myself with lack of consistency but uhh. Current songs that are stuck in my head include; Cult of Dionysus , Achilles Come Down and The Last Shanty  

4. If you’ve ever spoken to me before, I probably yelled about Pacific Rim to you or at you. Plus I love all The Mummy films and really enjoyed Castlevania (s3 excluded, we do not perceive that) as well! 

5. Ah, mod survival simulator pt. 3

Alright, let’s go!  I don’t have a WIP because again, words hard, but like, considering how feral I am when not tryna seem professional hm... 

The Goodfellows: I wanna say a solid 7/10 because I’d hardcore vibe with the Traveler and probably instigate so much nonsense. I can also bribe with blueberry cake so maybe. 

Creature’s Cradle: maybe a 4/10 and only because of pure spite keeping me alive long enough to smack someone. I’ve prepared for hypothetical  zombie apolcapyses and I won’t hesitate to bap, but will be bapped back because I’m weak as hell. 

Greater Than Gods: a toss up between 2/10 and 7/10! I can vibe and be chill but I also have terrible impulse control so... 

Vardir: hm....I think pretty good survival rates all around? If you ask me to fight then like, okay sure, your knees are mine. So maybe a 8/10? 

When it Hungers: .......8/10 just because I’d refuse to die if I can be a cool creature. Living for the aesthetic can and will drag me outta hell. But I’m also clumsy as hell so I’d probably crash as a porcelain or hold a rooster and perish (aka, real rating is a good 3/10) 

Orthall Bay: 2/10, nope. Nope I’d be taken out in a heartbeat. Monsters can go pspsps and I’d head straight into the dark creepy forest like a fool if someone comes @ me. Half the time I’ll just assume it’s sfx makeup and vibe until it’s too late. 

god, never put me in a universe where I cannot squawk like a bird and throw pebbles from a window. Oof

Anon, you're so sweet! I give you a forehead smoomch <333 As for your questions...

1. If I'm not writing, I'm usually watching video essays on Youtube. My go-to channels as of right now is Disrupt and Aperture! I just really like their videos. Aside from that, I recently got into podcasts. Currently going through Hello From The Hallowoods and Shelter and Warning, which are made by queer creators!

2. Oh oof, there's quite a bit so I'm just gonna put down one thing. For some reason, I really got into collecting tiny astronaut things? I recently bought this astronaut desk light, and I've got a package coming in for the miniatures I ordered. No purpose for them other than I think they're neat <3

3. I'm a bit private with my music taste (even tho I have Spotify connected on Discord lmao), but there's 5 songs that I'm currently obsessed with. I keep replaying them over and over again. Just squeezing all the serotonin I could get outta them.

4. I can't really say I have a fave TV show or movie because I can't really just pick one, but my current fave is 9-1-1 and Resident Alien. 9-1-1 because I just really love the found-family dynamics and how the show tackles sensitive topics, and Resident Alien because it's lighthearted comedy. My all-time fave movie is Flipped! I have the book too and I like rereading from time to time <3

5. You're in for a doozy, anon, because we're rating each other's games <333

The Goodfellows: 7/10

Listen. Shenanigans with the Traveler. I would get up to so many of them and that is what'll get me possibly bodied, not the actual environment itself <3

Greater than Gods: 7/10

I like to think I have enough common sense to uhhh not recklessly flip stones that should not be flipped <3 I'm a cautious and skeptic person irl so I think I'll hold up well? Then again, it's a vast environment change and while I can adapt pretty quick, I wouldn't like the lack of control in the unknown.

Vardir: 10/10

Going off what Cruz said, Vardir is lighthearted and focused on personal growth so I think I'll be okay! Self-growth here I come, babey!

Creatures' Cradle: 8/10

Maybe I'm overestimating myself, but I think I'll be able to survive in a supernatural post-apocalyptic world! Ah, but it depends on the motivation though. I like the idea of rebuilding communities and eventually societies, but the survival turmoil would be a constant battle I'd have to overcome. If we're talking survival itself though, I think I'll do well.

When it Hungers: 8/10

That's probably my wishful thinking but I think I'll be fine. Maybe. Possibly. Don't like the idea of being regulated by an organization so if I was a non-human creature that could pose a problem but I can roll with it <3

Orthall Bay: 6/10

Assuming I'm not playing as MC, my chances of survival uhhh changes quite drastically. Not enough to guarantee an untimely demise, but certainly enough that it would constantly keep me on my toes. I think that's the safest answer I can get without spoiling anything lmao

Thank you so much for asking! It's super sweet of you <3

1. Too many :'D I knit, I sew, I do carpentry (well, learning), I bake, I'm hammering away at HTML and CSS, my job kind of encourages learning new things and I take that to picking up new hobbies!

2. My time is kind of consumed with school work and work work and WIP work so not a lot of time to pursue niche interests right now. I've been watching a lot of horror game playthroughs, true crime youtubers, and an adorable show on Netflix called the Repair Shop <3

3. My taste in music is "what am I vibing with atm?" I've been listening to a lot of 80's music atm (don't @ me), but also Lo Fang and Kaleo, and whatever spotify recommends me on my discover weekly which is usually complete chaos.

4. I love the Mummy even though it hasn't aged 100% well (I'm a librarian, of course it's one of my gotos LOL), Legally Blonde, Leverage, Jumanji (the original), I'm....very bad at having recent tastes... and very bad at remembering my favorites when asked.

5.

The Goodfellows: I'm a creature of comfort, 5/10 if I can just luxuriate in town and not actually interact with the story sfjkdbsdkf

Creature’s Cradle: I'd like to think I have a 50/50 shot XD 5/10, I want to think I'd be decent at a zombie apocalypse but ultimately would suffer an early fate.

Greater Than Gods: 10/10 if I'm just vibing, less so if I'm involved in the actual story XD

Vardir: I'd still suffer without technology but I can also knit for a living in this world so I'm down 8/10

When it Hungers: I feel like I could vibe here, there's tech if dated, hot showers, telephones are around by now... might still get bored. 7/10 though it'd be cool to be another creature....I should make a 'what creature of snv are you' quiz!

Orthall Bay: 7/10 idk I feel like after the first monster of the week I'd just skip town XDDDD I'm the worst protagonist, I see danger I just leave.

[d-criss-news]

1883magazine.com

Darren Criss

On his new EP ‘Masquerade,’ the multi-talented Darren Criss welcomes everyone to the party.

Throughout his career, Darren Criss has never been one to shy away from boundaries. As an actor, he has won numerous awards and critical acclaim for his portrayal of Andrew Cunanan in Ryan Murphy’s award-winning drama American Crime Story: The Assassination of Gianni Versace, as well as hearts and a cult-like following for his portrayal of Harry Potter in Team Starkid’s A Very Potter Musical. As a musician, his talent shows the same range; he is as well known for his ability to belt a broadway ballad as he is for his covers of Top 40 hits on Glee.

For Criss, this is because all music is simply music. Musicians and listeners alike need not box themselves into certain genres and while this concept is currently growing in mainstream media, it is one Criss has known since he was a teenager. At Warped Tour, he encountered fellow San Franciscans Me First and the Gimme Gimmes, a punk-rock cover band that specializes in the unexpected (their most played track on Spotify is Country Roads.). Inspired by what he’s always known was possible, Darren’s career has had freedom most artists take years to explore — and with his new EP, it’s clear that is the most recent chapter.

‘Masquerade’ is an exploration into Criss’ more eclectic side with each track on the record representing a different persona or masque for the artist. The overt character-driven quality of the EP lends not only to allowing fans to learn more about Darren Criss, but also to create a project where something can be found for everyone.

1883 Magazine spoke to Darren Criss about his perception of genre, his new EP, and the curse of creative people.

Congratulations on ‘Masquerade’. I love it. It’s so fun!

Fun is a very fair adjective, I would agree.

I feel like there’s a very cohesive vision or aesthetic to it. When you set out to make the project, did you have this end goal in min  or were you just making music?

Yes and no. First and foremost, when you’re dealing with the whole of what an artist does, there are so many different facets that make the whole piece. To start, I’m just a songwriter — that’s the main thing that seeds everything else. But, because I’m a creative person, I’d like to think that I have a somewhat cohesive vision for my projects. However, you can conjecture and pontificate over what you want to happen, but ultimately a project is going to come out how it does. The thing that ties it all together, hopefully, is the artistry of the music or the person’s voice. When I heard you say “cohesive” my mind was like, “Phew!” Because we’re all scatterbrained people and we just constantly pray other people somehow think that we planned something or we had it envisioned all along, so to hear that is an enormous relief.

That being said, I had hope for how the EP would come together. I’ve been leaning into this notion of a character-driven song. The dirty secret about that is all songs are character-driven; all art is character-driven in some way or another. I just use that wording to aide folks that might be perceiving me as an actor and to apply that methodology to music.

How so?

I always thought it was a bit of an unfair double standard — where actors can be in a horror movie or romantic comedy — and we’re still behind that person as an actor. Actors can put on a prosthetic nose or a wig and do different things to service whatever story they’re doing. Historically music has been a little trickier, but now I think that’s changing. I’ve always been a self-proclaimed genrephile. I love so many different kinds of things. Growing up it was difficult for me to really assert this without confusing people. Now, that kaleidoscope has shifted in my favour, because people are more into eclecticism and musical diversity due to playlist culture and the whole homogeneity of everything. I’m employing this notion of being an actor and being behind a character and applying it to music by treating each song as its own kind of character. I want the art to correspond with that.

That’s an interesting concept to apply to music.

I know that everything I just said is horrifically more cerebral than it needs to be. If you like the music and it’s fun, great. I’m just trying to help people out that might be confused by perhaps some of the cognitive dissonance that’s happening between some of the styles. At the end of the day, it’s an artist’s voice, literal singing voice, and heart voice — what they have to say and how they say it — that tie everything together. People are more accepting of that than they used to be. This is exciting for me because I finally got to lean into something that I’ve always leaned into my entire life.

The last EP you released was ‘Homework’ in 2017. How do you think you’ve grown as an artist since then?

For me, obviously, there’s personal growth and professional growth. I think my growth is much more technical — getting better at recording music or being able to translate abstract ideas into physical recording — the things that I don’t think necessarily would be seen on the records. Again, much like an actor, ‘Homework’ was me playing the part of making a very low-key, singer/songwriter record. I’m a big believer in dressing for a party. I had some singer/songwriter songs that I wanted to honour. Each record I release shows a different version of myself that I haven’t gotten around to sharing.

The songs on ‘Masquerade’ are not like, “oh man in the past few years, I’ve suddenly become this person.” The EP was me finally getting in touch with my more Garage Band musician roots that I hadn’t been able to flex. It made sense to me to finally make this music. I had linked up with people that I thought could help me bring it to life in a way that hadn’t been done before and I felt like the timing was right. As I mentioned, it seemed like audiences might be a little more privy to this kind of thing.

I don’t want to be so stubborn as to think that there hasn’t been growth. I’ve been so lucky as an actor, that I’ve been busy as an actor. The only obstacle to me putting out more music, which I wish I was doing all the time, is time. I’m not an artist that just shows up, sings, and checks out. I’m writing, I’m producing, and I’m really in the weeds. It takes a great deal of investment, emotionally and mentally when I make music.

So, when you say, “you wish you were always releasing music,” do you mean to imply you have more music or at least ideas for more music?

I think the curse of creative people is that our ideas move faster than our bodies can execute. What this inevitably will create is a huge queue of unattended things that you will always be haunted by. From there, you have to catch as catch can. At any given moment, there’s still so much more in the queue that I want to put out. It literally took a global shutdown for me to finally have the time to look at the said queue, and say, “Okay, which project do I not only really want to do, but also do I have the resources to do and do I think fits into where I am right now?” Because I’m very cognisant of l where I am in my career. I have this huge selection of songs and when I have the time to focus on music, I go through and pick the ones I think fit where I am mentally and how I think other people are feeling.

With all these different genres of music you’ve released and all the music-centric projects that you’ve been a part of, is there a type of music that you enjoy performing the most?

I would say everything, but I don’t mean that in a way to just include everything. By nature, I’m a dot connector; I like shortening the distance between two things as much as possible and showing people how they can coexist. It’s my MO personally and professionally. Genre, while it has a lot to do with the cultural background and history of a type of music, is the boxes that we’ve arbitrarily made up to categorize and market music. I’m completely nondenominational when it comes to genre because all I can hear is chords, melody, and lyrics. It’s never been separated to me. When I’m performing live, I relish getting to lean in and bring together genres. I love using the setlist to show an audience how similar different genres are. For example, I’ll play a punk rock song and right after that I’ll sit at the piano and sing a ballad. My voice will be a little different, but it’s still my voice. Just like in acting, no matter what character an actor is portraying, it’s still their face and their body. Trying to minimize a distance between genres when I perform is an exciting prospect because I like getting audiences to rethink what they think they know about the differences between genre and how really at the end of the day it’s all just storytelling. So…I like performing it all.

I didn’t say you couldn’t say you liked everything. [Chuckles] That’s a perfectly acceptable answer.

I like putting all of it together specifically to show the similarities. Historically, all the great steps forward in a new kind of art form have been by mashing two or three seemingly unrelated things together. It’s happening constantly. It’s happening right now. Culture is a constant conversation back and forth. It’s a sharing of ideas that ebb and flow to create something new. I’m not saying that I’m taking part in this ancient conversation, but I’m certainly enjoying it. When I see pieces of it that I would like to showcase, I jump at the opportunity to do so.

Since ‘Masquerade’ has been in your creative bank for a while, what would you say inspired it?

Every song has its own inspiration. The album doesn’t really have an inspiration. If anything, I’m trying to make sure that I can show up for myself. I feel like with everything that I’ve done musically, I haven’t gotten to represent who and what I am and what I do. To me, this EP gets me closer to that goal. I still think that only a small percentage of me has been represented and that’s just because of time. I haven’t been able to focus on music in the way that I’d like, but ‘Masquerade’ is a huge stride for me.

Speaking of you being on Broadway, Elsie Fest is Sunday! On top of it just being exciting because it’s back, it’s your first public gig in almost two years. What did you miss most about the festival?

Listen, even without a global pandemic to worry about, putting on a music festival is hard enough. It’s one of my favourite times of the year because I’m very proud of what we’ve built and what we’ve continued to build and expand upon over the years. There’s been a community that has been built around not only people that come to the festival but people that have been part of it. I’ve followed these performers’ careers and I’ve been really grateful that we got a piece of their magic and got to be part of their journey at Elsie Fest. Magic which I can’t take credit for. I just lucked out with having incredible people perform. Over the years, we’ve had Cynthia Erivo perform twice. The first time she premiered a song called ‘You Will Be Found’ from a musical that would open in a year called ‘Dear Evan Hansen.’ We premiered a song from a movie called ‘The Greatest Showman.’ Keala Settle went on to win a Golden Globe for that song. Last year, we had a young girl from Disney sing for us — her name was Olivia Rodrigo. Those are just three examples. There’s been a lot of people that I’ve been thrilled to see do their thing. This year we have an incredible lineup. Barlow & Bear are coming, along with Jordan Fisher, Adrienne Warren, Pentatonix’s Kirstin Maldonado, and Alex Brightman. It’s gonna be great.

The obvious and the biggest answer is getting to perform live within as much of a safe and comfortable environment as humanly possible. Luckily we’re an outdoor festival, so that’s already to our advantage. I will be performing this new EP, but there is also a lot of music to catch up on and a lot of music I want to share. I’m mainly excited to share it with other human beings. I look at performing as a service industry. Everything that I do isn’t worth a whole lot unless other people experience it because it takes on a life of its own. The audience is not there for me & I’m there for them. I’m trying to service an experience that’s bigger than both of us and create something that couldn’t have been there if both parties were on their own.

Before I let you go, I need to tell you that Tramp Stamp Granny’s is one of my favourite bars in LA. I’m obsessed! I haven’t made it back yet. Like I said earlier, the editor Kelsey is also one of my best friends and when she comes, it’s top on my list of places to take her.

Really?! That makes me so happy. You couldn’t have said a better thing. We’re open again to limited capacity. We require vaccinations cards at the door and we’re only open Thursday-Saturday. Talk about being with people — the night we reopened, about a month ago, I got pretty emotional. It was nice to see people just being happy to sing and celebrate life with strangers. That was a really encouraging sentiment because despite the use of digital communication which I do think is an amazing thing, we, so clearly, inevitably, yearn for each other. Despite everything, people were coming to the bar and were so happy to be there and be around other people. Our need for other human beings is a constant that is extremely encouraging to me as a bleeding heart idealist. It’s nice to be a small part of that.

Finally, you said earlier Barlow and Bear were going to be at Elsie Fest. I cannot wait for the Unofficial Bridgerton Musical and was so excited to see you’re involved.

It’s cool meeting them because in a much more organized and impressive fashion they’re doing what my friends and I did ten years ago with ‘A Very Potter Musical.’ They are insanely talented and deserve to be the huge phenomenon they have become. They’re the future. I’m trying to grab onto their coattails however I can. [chuckles] They’re just getting started. I’ve been a big fan of Emily’s for a long time. She hates it when people say this, but [mock yells] she was a child prodigy and she still is. She’s an amazing human being.

Masquerade is out now.

Follow Darren Criss @darrencriss

Interview by Sydney Bolen

[just-char]

Hey Char, been a while. I'm curious, did you play the Snowgrave route of chapter 2 and if so what were your thoughts? I played it and it makes me think of you with the horror elements, so I wondered if you gave it a go.

Hello, Bun! Long time, no see, indeed. I’m glad to hear you thought of me as I primarily associate playing Deltarune and Undertale with you (you were the one who bought me it in the first place, after all, and convinced me to play it. Even when I listen to the soundtrack I think specifically of how you enjoyed it!)

Also, Napstablook = Krickis as far as I am concerned. Where there is Napstablook, I am thinking of Krickis. On actual serious thoughts, the Snowgrave Route is certainly an exciting one. I have not played it myself (Kris and Noelle are so young and I can barely manage to play the genocide route in Undertale) but I did watch another person play through it and my thoughts are as follows: wow!

Toby Fox most definitely has a hidden penchant for horror and it’s planted all across Undertale and Deltarune (Alphy’s lab in the true pacifist run in Undertale immediately comes to mind.) It’s a lot to do with the environment and atmosphere he’s capable of building in all areas of the game creating process, whether it be music or art design or battle mechanics (I imagine with the help of others too, but unfortunately I’m not very familiar with who works on the games) and creepy seems to come easy to him! I know you didn’t ask about Spamton, but his boss battle is another fantastic example of this. That horror element is a lot more... nightmare-y, though, I suppose? What I mean to say is, it’s almost silly. It doesn’t feel as real as what’s happening with Kris actively throughout the game, or what happens to Berdly. Part of this is because fighting Spamton doesn’t have consequences (that are obvious to the player.) The worst that happens is that Kris appears to have a panic attack afterwards and is visibly upset by what they’ve been forced by us to witness, but what I like specifically about the Snowgrave Route is that this lasts and it’s really explored. The lasting consequence it seems to have on the psyche of Noelle and Kris and the implication of the entire route is horror through and through, in a fantastic, amazing, wowza way.

And now, because I am a little bit too excited to talk about this, an unedited and possibly impossible to read ramble about horror and Noelle and Kris below the cut. The way I describe the game and the role the player has might be upsetting, so please do not read unless you’re very comfortable with body control horror etc..

Deltarune isn’t a horror game but its premise mirrors one in multiple ways and I find that very fascinating. It is almost more unnerving that such horrible experiences are masked by the fun, whacky outer layers. One could play Deltarune and never find Jevil or Spamtom’s boss fight or play the Snowgrave route and remain blissfully unaware of what lurks beneath a very normal (if occasionally dark!) adventure story.

Despite this, there is a lot to be said about Kris and the player’s control over them, as well as some choice words from Noelle about Kris’ recent behaviour and demeanour. It’s hard not to assume that Kris is possessed by us. We can force them to say things but they can react to these dialogue choices and become visibly upset at the actions we force upon them, so even playing the game as intended without discovering anything remotely below the surface, it’s impossible to ignore what actually playing the game and controlling Kris does to them. Essentially, stripping away all of the scariest parts of Deltarune doesn’t matter, because its actual premise, where you play, not as Kris, but as an entity CONTROLLING Kris, is in itself horrific! Kris is a child, at most sixteen and I certainly believe younger than that, and no amount of drawing them weirdly tall and lanky and emo-y can change that.

Possession and inability to control one’s self are heavily utilised in horror. When you consider how many times you’ve watched someone be tied down, forced to witness whatever is happening to them in real time, or the general horror and gore associated with demon possession in even current mainstream movies like The Conjuring (or even a mix of both! Media that explores being trapped inside the body without any control while being possessed and the effects it has on your mind is not common enough) it’s easy to see the connections between a lot of horror tropes and Kris’ ‘problem’. Only thing is, we’re directly perpetuating this horror every time we play. We are the demon! We are the person who is strapping someone down and forcing them to witness horrific things by our hand! I mean, it’s just fantastic. Deltarune is by no means a horror but it certainly feels like it. I suppose that’s the power of implication!

Being more specific to the Snowgrave route (I promise the previous ramble was related!) the player extends this control to Noelle, arguably the most vulnerable and ‘helpless’ character in the game so far besides Kris themselves (and even then, that’s in a much more literal way.) unlike Kris, who physically has no choice, Noelle feels as though she has no choice. She’s a pushover and unable to prevent who she perceives as her childhood friend from forcing her to do things she doesn’t want to. Her relationship with her mother seems to play into this complex. Noelle has always been one of my favourite characters— even with what little we see of her in chapter one, she makes a lasting impression and it’s not surprising that people wanted her to be a party member in this chapter. (The irony!) But this newest chapter also furthers an interesting trait of hers, namely, her fascination with fear. She enjoys being scared, she gets a rush from being in dangerous situations, feeling unsafe. She says so herself, though she uses more external situations to explain it (scary forests, etc.) It certainly explains her crush on Susie, but in the Snowgrave Route, it really works against her. Or, we use it against her. At a first glance, what we do to her in the Snowgrave route is awful, and then, the more you think about it, the worst it gets (usually a trademark of excellent horror and great writing in general, in my opinion.) not only are we playing into her deepest insecurities (because remember, it’s not Kris doing this, or us playing AS Kris, it’s just we, the player) we are actively abusing her as a person. We force her to fight. We force her to hurt people. We do all this for power. And we do all this while simultaneously doing it to Kris as well! And forcing Kris to be our mouthpiece, forcing them to hurt their friend who they presumedly love and care for! Unlike Susie and Ralsei, Noelle’s opinion of us cannot affect our journey and she is easy to control, so we do it. And once again, these are kids! They are children! We are not fighting Sans Undertale to the death, we are actively abusing and controlling children, much to the detriment of their mental health and the physical health of those around them.

Details such as the watch and the blackened “conversation” we have with Noelle in the hospital really only add to the experience. The implication that Berdly has been seriously harmed and potentially killed by what we’ve done to him (or more accurately, forced Noelle to do to him) is handled really interestingly from the younger persons perspective, where he simply doesn’t wake up. I could really go on and on, but unfortunately time is a constraint and I don’t think what I’m saying is very easy to parse anyway.

To summarise: Snowgrave Route good. Very well-written. Deltarune is a horror in disguise, but I will continue to put my hands over my ears and pretend everything is okay, just like Mr Toby Fox would like me to do. Thank you very much for the ask, I hope you’re doing well! If you have any thoughts of your own, please share them with me. I’d be delighted to hear your opinion as a writer (horror or not.) :]

[iwa1zumis]

“i love you and i like you”: passion and burnout in Haikyuu!! 

tw: discussions of self harm, anxiety, burnout and breakdowns. 

spoilers for the whole manga!! 

okay this is probably gnna be jflkafjdklfj all over the place, but i’ve been thinking a lot lately about the difference between loving and liking something, and how haikyuu emphasises the importance of both those feelings being present when pursuing a passion. 

a quick look at google (and i KNOW my college professors are cringing away in horror victor frankenstein-style @ my use of google definitions but jflajfsdk bear with me!!) demonstrates how often the concepts of love and like are conflated, with love her being framed as a sort of deeper or more intense like: “to like or enjoy very much” to be specific. but personally i’ve always thought there’s something a bit misleading about that kind of definition, since its absolutely possible to love something or someone without necessarily liking them. to take a personal example: i love debate. i debated through middle and high school, made captain of the debate team, and was constantly travelling to and fro for different tournaments. even before i started to debate formally i’d jump at the chance to do mini-debates in class, argue with and rebut parents and friends over meals and causal conversation.... you get the idea. i loved debate, and still love it dearly, but i honestly don’t think i particularly liked it much. tournaments would always fill me with the most INSANE kind of stress, i’d barely eat or sleep in the days leading up to a meet, and i’ve had more muffled bathroom breakdowns in between rebuttals than i can count. after my final year of high school, i decided against joining the debate at university. i knew that if i were to retain ANY love for the activity going into the future, i had to force myself to take a break. 

so what does this solipsistic tangent have to do with haikyuu, you ask? well i have no doubt that a vast majority of the players in the series love volleyball. they’re dedicated and passionate about it. they hunger for the chance to be put on the court. but do they like to play? 

1. oikawa: “i forgot that volleyball can be fun” 

ofc i wouldn’t be an oikawa stan worth my salt if i didn’t start this off with the (grand) king himself!! imo one of the reasons why oikawa is such a popular and well-loved character is his constant determination to keep moving forward and playing, even in the face of seemingly insurmountable opponents and adversities (”never forget my worthless pride”, anyone?). inevitably, all the hard work and practise he put into his craft has left him with a very carefully constructed, put together playstyle-- he’s the kind of player who knows how to bring the best out of each and every teammate on the court because of the amount of time he spends observing them and playing with them. it’s an outlook and playstyle best encapsulated in his now iconic line during the second karasuno v seijoh match: 

“Talent is something you make bloom, instinct is something you polish!” 

in my opinion the word “polish” it super significant here-- it explicitly singles out the years and years of hard work that set a foundation for his talent and instinct to shine. 

but what happens when they don’t shine? there’s no denying that oikawa is an incredibly skilled and intuitive player (something that hinata’s acknowledgment of him as the “great king” to kageyama’s “king” immediately sets out) but oikawa himself is acutely aware of the fact that he can never quite measure up to his long-time rival ushijima or his immensely talented protege kageyama. oikawa’s self described strategy to deal with opponents is to: 

“Hit it until it breaks” 

but what happens when hitting something again and again with your carefully honed, “polished” skills yields no results? imo there’s a very clear binary mentality drawn here-- either you hit it and it breaks, asserting your superiority; or you hit it and it doesn’t break, enforcing your inferiority. with each perceived loss against ushijima and kageyama, oikawa’s internalized logic holds his own weakness up to his own face, shaking his faith in himself as a player. if you’ll pardon the on-the-nose-metaphor: the whole “hitting it till it breaks” strategy is a two-way street, and oikawa has been hitting himself, metaphorically speaking, for a very long time. i have no doubt that he loved volleyball, passionately, through middle and high school. but with his inferiority complex growing in the face of constantly refuted results, i think he slowly began to like it less and less. 

so how does oikawa get his groove back? to answer that, we’ll have to turn to the post-timeskip chapters, particularly the two chapters that deal with oikawa and hinata’s unexpected meeting in Rio (372 and 373 for anyone curious!). while reminiscing with hinata over dinner, oikawa finally reveals the event that made him want to play volleyball (as a setter, to be exact)-- as a child, he watched veteran setter jose blanco step into a game and

“... inconspicuously help[ed] the ace get his bearings again... and then simply left the court.” 

oikawa’s reaction to blanco’s playstyle might just be one of my favourite panels in the chapter for how it conveys so much with such little space: 

the stammer of “i-i--”, which suggests a sense of resolve and determination forming in real time, finally coalesces into the determined declaration of “i wanna be a setter too!” what i took from this is that oikawa’s admiration for-- and liking of-- blanco expresses itself in the agency with which he makes his choice, in this case, actively deciding to be a setter so that he can support players on the court like blanco did. the liking that oikawa has here is therefore inherently linked to the agency and freedom he feels here-- freedom to choose his position, and how he wants his volleyball career to develop. 

this recollection of his childhood memories, and the subsequent game of beach volleyball that oikawa and hinata play afterwards, essentially push oikawa back into the mental and physical space of a child or beginner, as the manga demonstrates with panels of oikawa being forced to ditch his usual carefully developed, polished playstyle to learn the ropes of beach volleyball: 

ultimately concluding with the beautiful panel transition of oikawa, as a child AND adult, celebrating after a successful play: 

“It reminds me that-- I forgot that-- volleyball is fun.”

in a different country, playing a familiar game by slightly different rules and led back into the mentality and freedom of a novice after years of careful development, oikawa rediscovers his liking for the game. 

2. kageyama: “when you get strong, someone stronger will rise to meet you” 

moving on to the king of the court himself!! i’d argue that kageyama’s childhood memories and experiences of volleyball function almost oppositely to oikawa’s-- while oikawa has to re-access the sensation of being a beginner again to like the game along with loving it, kageyama’s process of coming to like and love volleyball come from moving away from his early experiences and into a new phase of playing-- specifically, his partnership with hinata. 

one of kageyama’s defining features is his individualism-- he’s both skilled and solitary enough to prefer to, as he puts it, “play every single position on the court”. notably, he wants to become a setter because: 

“[it’s] the one that touches the ball the most.”

in fact, i’d argue that kageyama’s “king of the court” attitude that he was known for in middle school is an extension of this individualistic mindset: he holds himself to extremely high standards, and expects his team-mates (as extensions of himself) to meet those very same standards. the similarities between his internal monologue and his commands to kindaichi in these two panels, for example, are strikingly, visibly similar: 

there’s that near-identical intonation of “move faster, jump higher!” that implies that the way he treats his teammates is just an extension of how he treats himself-- a deeply self-critical, miserable way, as it turns out. it’s telling that for the first few chapters of a manga in which characters’ eyes literally light up when they’re happy, passionate or excited, kageyama’s eyes are drawn as pitch black, even while he’s playing. 

imo the reason why hinata’s appearance, and their later partnership, is so significant for kageyama’s personal development is because he can’t treat hinata like an extension of himself. hinata challenges him and his preconcieved notions of the sport at every turn: first with his lightning-fast reflexes and raw intuition, and then with his determination to hit kageyama’s toss no matter what. in fact, the first time that kageyama’s eyes light up in the manga is, you guessed it, when he and hinata first pull off a successful “freak quick”: 

during the post-timeskip chapters we’re introduced to kageyama’s backstory in much greater detail: the way in which his grandfather fostered his passion for volleyball and the timing with which his grandfather’s illness and later death left kageyama increasingly alienated, thus further enforcing his individualist mentality. but what the chapter also gave us was an explicit confirmation of a theme that had been built up from the very beginning of the story, when kageyama’s grandfather tells him: 

“when you get really strong, i promise someone stronger will rise to meet you”

i’ve seen translations of the line that use both “meet” and “challenge”, and personally i’d have to say that i prefer “challenge” for what it implies-- even before hinata got strong enough to actually meet kageyama halfway he challenged him to move away from his pre-established mindset of doing everything himself, and into one where he actually comes to enjoy-- and like-- volleyball. 

3. hirugami: “maybe you’ve just had your fill”

hirugami’s case is kind of a strange one-- unlike oikawa and kageyama he’s not a major character, and his relationship with volleyball only gets a single backstory chapter as opposed to a series-long arc. but i personally ADORE his mini-arc for the things it has to say about burnout, passion and moving on. 

hirugami is introduced as the youngest member of a volleyball family-- his parents, older brother and older sister all play the sport. when explaining how he began to play himself, hirugami says: 

“... naturally, i started to play too. because i was good at it, and it was fun.” 

imo there are a lot of really interesting things to pick apart with this phrasing: the “naturally” implies a foregone conclusion but also a degree of passivity, like he himself recognises that he was swept up in his family’s influence. the “it was fun” coming AFTER “because i was good for it” also implies a degree of correlation, as though if he didn’t have the aptitude, he wouldn’t enjoy the game (a mindset markedly different to both oikawa and kageyama). as hirugami gets older, this correlation of being good ----> having fun ----> being able to play begins to reverse, and therefore manifest in increasingly self destructive ways: 

the main impetus for hirugami has now become not wanting to lose, which therefore requires a degree of heightened practise and self discipline in order to achieve. notably, having fun has been reduced to an afterthought, a state that might be achieved if he wins. 

the correlation of “winning” and “being good” is a slipperly slope to go down, though, something that becomes especially apparent after hirugami’s team lose a game. the frustration of being unable to reach his goal of winning manifests itself as not being “good enough”-- acting on this, hirugami seeks to punish himself for “messing up”: 

the close up panel of hirugami’s “confession” after hoshiumi confronts him hits particularly hard because it taps into a feeling that i’m sure almost all of us have felt at one point or another-- the realisation that something you once both loved AND liked is now only bringing you misery: 

ironically, it’s actually this acknowledgement of “not really liking volleyball that much” that acts as a catalyst for hirugami’s recovery from burnout. hoshiumi’s acknowledgement of, and reply to, hirugami’s state is seemingly simple but deeply freeing: 

and honestly, why not just quit? there’s nothing tethering hirugami to volleyball, certainly nothing as serious as life or death. personally my favourite part of this panel is hoshiumi’s description of volleyball as food from which hoshiumi has “eaten his fill”-- a lovely metaphor that re-contextualizes what could be seen as “time wasted” into something productive and indeed nourishing. 

when we check up on hirugami post time-skip, we find out that he has indeed quit playing volleyball in favour of going to veterinary school, but he’s seen watching the game between the jackals and adlers on his phone with an eager, fond smile on his face, implying that it was the act of moving away from the table (so to speak) after eating his fill that let him still hold on to a love and passion for the game, even though he is now interacting with it as a spectator instead of a player. and indeed that might just be why i love hirugami’s arc so much-- with it, haikyuu tells us that sometimes passion’s don’t need to be re-ignited in the same way. while oikawa and kageyama rediscover their love for, and liking of, the game through a return to childhood and the arrival of a new partner respectively, hirugami’s journey away from burnout comes from recognizing that he can step away from the volleyball court, and that the love and like will still remain. 

[wisteria-lodge]

snake primary + snake secondary (bird model)

Hello! I recently discovered your blog and really love the thought you’ve put into the nuances of the SHC system. I’m super into these kinds of personality analysis systems (I’ve probably been through them all at this point) because I think it’s interesting to know how people tick - I also think self-awareness is important so that you know why you do what you do, essentially. I took the SHC quiz and it told me I was a Snake Primary with a Bird Model, and a Bird Secondary with a Snake Model. I agree that I’m probably a (somewhat petrified) Snake Primary with a strong Bird Model, but I’m not sure which is my true secondary and which is the model. Maybe you can help?

I can sure try :)

Some things about me: I’m an oldest daughter, and I’m almost 100% sure my dad is a Bird Snake and I *idolized* him as a child - I thought he had it all figured out. He was the Zeus to my Athena in my child’s eyes, and I think I got my Bird primary model very early from copying him.

I mean, I know what you mean in a “sole creator” sense, but there is no *way* Athena thought Zeus had it all figured out.

My two younger brothers are a Lion Snake and a Lion Badger, and my mother is possibly a Double Badger, though I’m not as sure about her - maybe she just thinks that she *should* be a Double Badger. I think all that is important to help illustrate that I didn’t really feel *at home* when I was with my family, though I loved them, since I was the only Snake. My parents also had a terrible relationship and are now divorced, so there’s that as well. I think the only time I have ever been truly morally outraged was the revelation that my dad had engaged in infidelity against my mom, and then again when he started dragging his feet over a promise the he had made my youngest brother. We didn’t speak for a long time after that incident, but I was really cut up over dropping him.

Oh yeah. That’s very Snake primary. Morally outraged because your People are getting hurt.

We eventually started to reconcile, and the only reason we did was because he called and said he was driving through my city one day, and even after all of that, I said yes to meeting up because I felt sad that I had dropped him. I think this family dynamic, plus some other childhood stuff, led to me sort of “checking out” and petrifying pretty early.

Just a theory - I think it’s possible that this hit your secondary more than it hit your primary. You seem pretty strong and confident in your Snake primary so far. Even the fact that you can identify it coming from such a non-Snake environment, and don’t feel guilty about it, is big.

I had a lot of trouble making friends in school.

I’m thinking this might be more of a secondary thing.

and generally ended up with like one friend who was the other weird girl, and who I always sort of kept at arm’s length emotionally. I moved schools several times as a kid and after the first best friend (who was the daughter of my mom’s best friend and was like a sister to me until she moved away), I really didn’t try too hard to make new “best” friends.

Hmm. See, this reads like a *default* friend to me, not a friend of choice. The other weird girl. The daughter of your mom’s friend. That’s an easy friend to have… and not one that you necessarily sought out. I’m not surprised that your primary didn’t latch onto her with that Snake intensity.

Even now, though I definitely have concentric circles of loyalty and a significant other who is my “top person”, I’m not sure I have that blind Snake I-would-literally-die-for-you loyalty toward anyone - I’d kill or hide a body for my top circles

That *is* Snake loyalty. Snakes aren’t going to die for someone else, are you kidding? That’s a sucker’s game. They value themselves too much.

I would give up a lot of my own comfort for my significant other. Maybe I’m just afraid to let myself feel that unquestioning loyalty, though I want to feel it, or maybe I’m really a Bird and just want to be a Snake because that would mean I could be un-broken eventually.

Let’s talk about your secondary, I want to hear about how you think you’re broken, because so far you seem fine. Congrats on the SO!

I don’t think I’m an Idealist though - I’m surrounded by them and I know I don’t care about “principles” the way they do. Then again, maybe I’m a Bird whose truth is that moral relativism is the truth lol. Anyway, I think for my primary, I’m probably a petrified Snake with a Bird model unless I’m totally wrong about myself.

I think you’re just a Snake who… is a Snake.

(you’ve got that Birdy influence though, from your dad, and they do like to complicate things.)

As for my secondary, I loved to read (everything - all kinds of fiction, especially sci-fi/fantasy/mystery and, like, Victorian sci-fi/horror adventures, nature books, medical texts, etc. Wikipedia was a revelation when it came out), and I was smart and good at taking tests and knowing the answers in school, so at a certain point I think I just defaulted to being “the smart one” and used that as armor to help keep people from getting too close.

yep yep yep, welcome to the ‘fun Bird model’ club, we have snacks

I do genuinely love to learn, and I’ve always been known among friends and family as the one who either knows the answer or will look it up. I love pop culture trivia and nature facts. I also love and am good at debate, but not really when real feelings are involved - I more love the “battle of wits” aspect, where I can match up against a person to see if my knowledge and ability to adapt my argument on the fly can stump them. 

I also would argue the unpopular point, or the point I didn’t agree with, just for sport. Fun Bird secondary model.

I developed terrible anxiety and probably some depression as well in high school.

Okay, now I’m seeing the problem.

and now that I’m older, I suspect that I may have ADHD, though I haven’t been officially assessed. I didn’t discover my executive function issues really until college, when suddenly being smart and being able to figure out the test answers through context clues and what I remembered from lectures and readings + whatever trivia I had gathered about the topic wasn’t enough anymore.

I suspect you’re right about being ADHD. Or at least being neruodivergent.

I am horrible at studying! I would plan out my study sessions and make these nice little cheat sheets (these were allowed on exams) and they didn’t work at all! I did very well in my literature minor though, because all the graded assignments were papers rather than open-answer tests, and I could get my thoughts out better and with more resources at my disposal if I forgot something and needed to go back to the book to check.

Oh ouch. Yeah, I’m not even relating this back to a secondary, because I’m reading this as a working memory thing? Like ugh tests are such a terrible way access knowledge. What is even the *point* of memorization anymore? You should have been able to have a college career that was completely writing papers, like I did.

I was at one point very jealous of my Lion Snake brother, who I felt could do “whatever he wanted” with minimal consequences, while I always felt constrained by being “good” and not rocking the boat too much with my family.

Yep. That’s being an oldest daughter.

I couldn’t understand why he didn’t seem to care about being considerate to everyone else in the household (especially my chronically overworked, can’t-say-no Badger mom lol).

It’s because he’s the youngest. Mine’s the same.

This attitude was definitely influenced by my anxiety issues at that time, since I had (and still have) a lot of trouble asking for anything - help, permission, whatever. I’d rather do things and explore on my own, without anyone watching, so I don’t have to ask and don’t have to explain.

Did you low-key raise your younger siblings? Because it sounds like you raised your siblings.

I feel better with a little bit of distance, and definitely wear masks in most situations. I’d say my masks are half conscious and half reactive - I do have some idea of how I’d like to be perceived, but it’s only kind of systematic.

That makes me think Snake or Badger secondary.

I have a few “characters” that I use as touchpoints when I’m going into a new situation, but once I’m there I mostly just act nice and funny and see what happens.

So far I’m going with Badger secondary (be nice and and assume it’ll be fine is very badger) with a fun Bird secondary model, that you can do an Actor Bird thing with. Although liking to “just see what happens” is pretty snake.

The characters are really just costumes I use to give off a certain first impression, although I do really like the costumes and find them fun. I love clothes, makeup, and perfume too, because I enjoy the idea of making multidimensional costumes for different settings. I actually enjoy the mask a lot of the time - I have tattoos that are purposefully in places that I can cover easily, because I enjoy the idea that there’s something under the professional mask that people only know about if I show them. I’m a bit socially awkward I think (I repeat myself and talk a lot), but most people tend to either like me or tolerate me, and I don’t get into a lot of interpersonal conflicts. 

Hm. Either Courtier Badger or Snake secondary, fun Bird secondary model. However. Especially after talking about your Actor Bird in such fun, positive, happy language… I am going to call you out for “socially awkward” and “people tolerate me.” Which tells me you don’t have as much faith in your social skill set, and it’s *maybe* a little burnt.

(Also, not to get too armchair psychologist tell-me-about-your-mother, but if your mom has a  “chronically overworked, can’t-say-no” Badger secondary… that’s going to affect how you see Badger secondaries.)

Right now I work in a very Badger/Bird workplace, and it’s really a terrible fit, even though I can squeak by enough to fool my superiors into thinking I’m doing a good job. 

oh we’ve got some imposter syndrome, that can also be a burnt secondary thing.

It’s all long-term planning and daily maintenance tasks, and I really don’t like it. I change most of my plans partway through, but I’m not sure if it’s because I’m really an improvisational secondary at heart, or if I’m truly a Bird that’s just bad at planning for all of the variables.

I’m going to say you’re not a Bird. Making cheat-sheets (which is a very Bird secondary strategy) also did not work, and you feel confined by, not comforted by plans. You’re not a Lion, you enjoy keeping your true self to yourself too much. You could be either a Badger or Snake. And if you really hate daily maintenance tasks… that could be coming from a few places, but it makes me lean Snake. 

I love being in situations where I can iterate on a plan, or make a new plan on the fly. I love escape rooms and am pretty good at them; I still get stumped and need hints sometimes, but when I *get* a puzzle, it sort of just clicks for me? I don’t think in a very linear way and am not a good chess player, but I also have never studied chess so perhaps I just am at a knowledge disadvantage in that game. 

This is also you using Bird to have fun, and we know you *love* using Bird to have fun.

One of my proudest moments

okay this is definitely going to be helpful

was when I was on a day trip with my significant other, and we needed to find a place to buy food quickly so we wouldn’t miss a specific ferry and then a specific bus - we were on an island, and near the ferry station the restaurants were all too expensive and we were worried they would take too long anyway. He was starting to get frazzled, but I was able to think on my feet, and we just grabbed a calming beer (lol) at a creepy neighborhood bar, then got on the ferry and bought microwave meals at a 7-Eleven by the bus station. It was awesome and I was very proud of myself for staying calm and looking around myself for options.

Well that is VERY Snake secondary.

I generally take a long time making decisions when it’s not a crisis situation, because I have to *weigh all the options*, but I often end up in analysis paralysis. Crunch time is where I really shine as a decision-maker.

Snake again. From what I’m seeing, your Bird is a fantastic toy, but actually kind of makes you miserable when you have to depend on it for the important stuff. (studying, your job, making important decisions)

All of this long post is to say, I’m not sure whether my Bird secondary is a fun model that got repurposed into an executive dysfunction compensation tool and anxiety/depression soother to supplement my Snake secondary

I think you hit the nail straight on the head right there. 

 or if Bird is my true secondary and Snake is a model that I learned from my dad and brother + characters I admire in media 

oh your favorite characters are Snake secondaries are they? That’s a big tell.

and that I use when I fail to plan adequately given my executive dysfunction. 

Executive dysfunction is a whole thing, but you don’t have to “”plan adequately”” for everything.

I find both fun and both useful, but I’m not sure which is innate and which is the model! 

My money is on snake secondary, Bird secondary model. 

[boop-le-snoot]

masterpost ☀️ main masterlist ☀️ taglist

previously on...

We meet Lucy, we meet Samantha and her twins & Mother Nature gets a little bit mad. But on the upside - she loves Tony :)

Kind reminder that this story will have horror/thriller elements & graphic descriptions of blood, gore and all the nasty stuff associated with superhero battles described in some detail. This chapter contains some of that.

Honestly, this story is getting- uhh- 8-12 notes on Tumblr. It's got a decent following on AO3 which brings me joy because I truly do enjoy the worldbuilding to a, perhaps, guilty amount. So if you like it too - please reblog :)

The fabric of my skirt was suddenly yanked and I jumped, dropping my phone and startling out of my daze. Two big, blue eyes stared up at me, curiousity mixed with impatience in them. I crouched down to pick up my device, coming face to face with a tiny blonde girl about nine or ten years of age.

"Lucy, hi!" I squeezed out a smile at the child. She looked pale, as if she'd never seen the slightest bit of sunlight, chubby cheeks contrasted by an overall spindliness of her body. Her dress was a puffy, long-sleeved, red and white polka dotted monstrosity with at least two petticoats that made her seem bigger than she actually was. "Sorry, didn't see you there. Long day at work," despite there being a worm of anxiety crawling deeply in my chest, I heeded the warnings on the list of rules and swallowed any unease I had.

Which was a hard feat. The stairs had gotten confused and I lost ten minutes of time going back, over and over, after encountering floors "5", "8" and "19" instead of my third floor, in a five story building. The building providing extra floors shouldn't have surprised me that much but the worst was fighting with the desire to explore them, my rational brain unhelpfully supplying that if this building was truly dangerous, nobody would be living in it.

The pull was almost unnatural in its strength yet my protection charms remained unaffected. Too tired from returning to work, I decided to distract myself with my phone - and nearly ran poor little Lucy off her feet.

"You are new," she signed to me slowly, carefully observing my reaction to her using ASL.

I had been truly unsettled by the rule list, perhaps more than I wanted to admit to myself, so I spent a night wide awake brushing up my meager sign language skills. "Yes, my name is Star," I replied, not quite sure if I wanted to shake her hand or simply make myself scarce as soon as possible.

Lucy gave me a closed-lipped grin, swooshing her puffy skirts in what I perceived to be a calculated amount of shyness. "Can I play with you, please?" Her hands moved a little more rapidly as she side-eyed my apartment door.

I briefly ran a mental checklist of the contents of my fridge. "Sure," I figured that two leftover steaks in it would be more than enough for the little girl. I'd splurged and gotten four prime pieces of meat to treat myself after a hectic moving process, cooking only half of them on the first day. "Come on it. You hungry?"

The door swung open as I led Lucy in, her bright dress and pale skin standing out in the twilight of my apartment. She nodded her head seriously, looking at me from head to toe as shivers ran up and down my spine. My bag was unceremoniously dumped on the couch, my socked feet shuffling into the kitchen and beelining for the fridge.

Lucy followed me quietly, taking a seat at the dinner table and folding her thin arms atop it, expectant blue eyes following my every move. As I plated the meat and reached for the roll of paper towels, I felt like I was being examined under a microscope. Somewhere in the distance, a quiet hissing noise was beginning to rise.

Lucy politely declined the fork and knife I attempted to give her so I just set down the plate in front of her, leaving the kitchen to change out of my dusty, sweaty clothes, too tired to really worry about the loud, sloppy and wet chewing noises and low growling coming from the dining area. I decided as long as she wasn't attempting to have me for dinner, I was going to be just fine.

I found Lucy on the carpet of my living room, flipping through a fashion magazine she'd found somewhere after I was done with scavenging some sweatpants from my mostly-unpacked closet. Her blonde curls bounced as she looked up at me with another tight smile, this time looking calmer, friendlier somehow. "I like those dresses," she signed, pointing at a few pictures with models wearing ballroom gowns in all kinds of colours. "And these..." She pointed out a tiara, probably not knowing how to sign the words.

"This is a tiara," I spoke slowly, signing the last word with my hands carefully as she observed. And then a few more times, until she repeated her last sentence perfectly. "Good job, Lucy," I praised her as she beamed at me. The river of quiet, scratchy giggles never stopped as she pointed out various things and I tried to sign them to the best of my ability, Lucy not showing any signs of upset whatsoever if I couldn't get the name for something right.

After some time, it was beginning to get very dark outside and a couple of pointed glances at the clock was all it took for her to stand up and carefully dust off her skirts. "Thank you for playing with me, Star," Lucy signed excitedly. "I like you. Do you want to know a secret?" She leaned in conspirationally, bursting into my space bubble with a lack of care only a child could posess.

I nodded, not trusting my mouth whatsoever. The closer she leaned in, the more overwhelming her smell became. Her pretty dress reeked of mildew and stale water, her breath - of dried blood and something earthen, like moist soil and cold cobblestone.

Lucy's eyes widened dramatically. "If you need answers, go on to the seventh floor. Bring some warm milk and cookies, they won't bother you too much, but be careful and don't stay for too long. You look tasty," I struggled to keep up with her rapid signing, my eyes firmly trained on her. Lucy's hand carefully patted my cheek and in my frozen state, I could only wave back as she skipped to the door and unlocked it, giving me one of her closed-lipped smiles before disappearing behind it without a noise.

The lock slid shut on it's own after the girl's departure. My heart briefly jumped up into my throat, trapping my jerky inhale in-between my throat and my esophagus. Coughing, I went on to double check the door lock before scrambling for the TV remote to add some background noise to the suddenly eerily quiet apartment.

The sit-com that popped up wasn't any of the ones I knew so I sat helplessly watching unfamiliar people get themselves into more and more absurd situations as the grating noise of pre-recorded audience laughter mocked the characters actions. A sudden shriek pierced the late night stillness, followed by a sound of breaking dishes and a woman's voice tiredly chastising the miscreants.

Samantha.

I'd seen her a few times as she smoked her strong cigarettes in front of the entrance, her twins running in circles around the large pothole in the middle of the driveway. She'd been friendly enough, the dark circles under her eyes and the unkempt state of her clothes telling me more than her words, "I love them, I really do. But I just want some sleep," she rasped as she sighed and attempted to gather her two kids.

I didn't examine them too closely but on first moment's notice their eyes and teeth appeared... Wrong. Samantha had taken them inside after that, clutching a coffee thermos of a size truly impressive, and I went on my merry way, trying not to think too much of the poor, single mother and her two mutant kids. I felt a little proud, even, as she didn't just abandon them like many other people did after discovering their children had an active X-gene.

It didn't take me long to cave in and offer my help with watching the twins, Anya and Arman; one noisy weekend bled into the next and I began to genuinely feel bad for the overtired woman. Inviting the two terrors into my apartment was a choice I had made mindfully: having asked Odette about advice on hyperactive children, she had proposed a puzzle or two.

The thrifted, wooden items weren't able to hold the twins' attention for long, and Anya was the first one to begin gnawing at the hard blocks, covering the area around her in splinters. Arman was a quiet boy compared to his sister: he'd stare at the TV or at the walls, avoiding eye contact and conversation at great lengths.

My couch was jumped on, my dishes were taken out and my houseplants rearranged chaotically; it was almost as if they purposefully tried to get a rise out of me without doing any actual damage. I spent the remaining few hours of my Sunday putting things back in their places - all that pent up frustration had done wonders for the state of my apartment; it sparkled, looking cleaner than the day I moved in.

The babysitting became a somewhat regular occurrence, more often than not with me popping in for a couple of hours so Samantha could run some errands and the odd weekend when the twins came over to me so Sam could get some much-needed sleep.

She was a kind, gentle if chronically overworked woman. We clicked pretty quickly over our shared desire for comfortable stability and some fucking peace; neither I nor she had it in sights for the foreseeable future. Sam's reaction to me being a witch was a shrug and a top up to her wine glass as she pointedly looked at her daughter who was busy chewing on a door handle, leaving small, jagged marks all over the dull metal.

I just had gotten sorted with a bunch of complicated orders when the radio interrupted Eric Clapton with an emergency message and instructions to steer clear of the next few blocks over. Something had hit NYC again and Avengers had been called but nobody knew exactly what it was or when it was going to be dealt with.

As soon as I shot a text to Sam, explaining the situation, I immediately retreated to the back rooms, setting up my healing station over the noise of Odette preparing her office for visitors. For some time, I waited with baited breath, jumping at every little noise coming from the outside. The people tickled in slowly, mostly one by one and all were covered in foul-smelling sludge that evaporated with a loud hiss when the concentrated light of the UV lamp in my office touched it.

"Some kind of aliens, I think," a man with a face somewhere between a human and a hedgehog told me, wincing as he retracted his spikes back into his skin. "There's a hole- a portal, right on a crossroads and there's these things coming out. They kinda look like dragons, or flying snakes maybe," the more light breached the surface of his skin, the more relaxed he became. "The Sorcerer and the Witch are trying to close the portal, unsuccessfully might I add, and the muscle is just," he paused, scratching his chin. "Just killin' 'em, I guess."

I nodded enthusiastically, prompting him to continue to rely the state of the affairs as I applied the thick, viscous ointment on a gash on his leg. "It's hammer and Frisbee time," I mumbled to myself sarcastically.

"Yep," the man popped the 'p'. "Most of us are trying to keep the creatures contained to that one block. I saw Iron Man blasting off some of the creatures off of some of my friends," the last sentence contained a great deal of puzzlement. "Though you won't be seeing much of us this time. These things... They're vicious. They've got claws the size of my foot. A lot of us are going to die where they gut us," the sentence was spoken so matter-of-factly, my hands paused on the man's leg, bringing my eyes to his unblinking dots of black.

"What do you mean?" I swallowed in an attempt to chase away the dry, rough feeling in my throat.

"Those beasts... They're smart. One of my friends - she's a... Telepath of sorts... Says they're an intelligent hivemind," the man's broad, warm palm closed over mine. "The beasts leave only the ones that won't get help in time. They can smell death from a mile away. That's how they hunt," his voice was gentle, soothing over the sudden ringing of my ears.

"I..." My mind stuttered, a sticky ball of anxiety, fear and sorrow gathering up in my chest. "I'm so sorry. I..."

"We know what we're doing, out there, we know the risks," his smile was tight and full of grief. "You're doing your part here, makin' sure our babies have parents. We're out there makin' sure our streets are safe. Such is life," the grin acceptance in his pitch-black, small eyes set fire to the tension in my chest.

I exploded, inside out. The sudden burst of decisive, clear-headed energy made the objects around me vibrate, metal resonated my sorrow and my determination, the wood heated up with the force of Mother Nature itself responding to an act of cruelty bestowed upon her creations.

As soon as the man's bandage was finished and he headed out, I grabbed my old, ratty backpack, hastily shoving things into it in a semi-organized fashion. Clean linen strips, bandages, some premade elixirs and draughts, a few jars of salves, carefully tucked in-between the cloth. As I knocked on the door of Odette's office to retrieve the last few items I would need for my reckless journey, the door handle turned on its own, letting me observe her tending a woman who's skin was peeled off most of her back.

"Can't you see I'm..." Odette exclaimed, throwing her free hand towards the door, which did not budge. She turned on her heel, eyes widening when she observed my wide, solid stance in the doorway, lips immediately curling into a small grin. "I understand. Take what you need. It's not wise to resist Her call," the words were spoken carefully, as if not to spook me, before Odette resumed her delicate work of putting the injured woman back together.

Without a word, I finished packing and left through the front door, not needing more than my scarf and my light sweater to keep me from the freezing gusts of wind. My very core was the centrefold of an active volcano, bursting with white-hot bursts of energy as I approached the injured people on my way towards the terrible screeching noise.

This far out, most of the injured were able to make it to Odette's or to the other healer, who's name I had found out only then, but they were thankful for the water I offered them. Not once did they question me: my star-patterned scarf, out of all things, had become somewhat of a symbol for me among the different folk. Mutants approached me fearlessly, giving generous updates on the direction of the battle and the hotspots I probably should have avoided.

The louder the screeching noises grew, the more people needed my help. The stops took longer, my painkillers were becoming a short supply, the main relief provided by a couple of mid-range, mid-strength energy manipulating mutants that began to tail me after I offered to patch them up in exchange for help with the injured.

It was as if I instinctually knew where I was most needed, my decisions were seldom my own. Me and the two mutants bid a haste goodbye after loading up their truck with the injured, although deep inside, I knew that the amount of corpses, bloody and messy, littering the streets had begun to get to them. In a normal state of mind, I would not have been able to look at them either: then, each mangled, broken body only added fuel to the fire within me.

As I stepped foot in an intersection where someone had piled up bent and broken cars, the shadow flying over my head shrieked, taking a fluid nose dive towards another, smaller flying figure. I dropped flat on the ground, the contents of my backpack clattering, watching the small figure in the sky blast the beast with an off-blue ray of concentrated energy. As soon as the creature began it's graceless drop, Tony turned around and flew off, looking none worse for wear.

At the very centre of my chest, a faint feeling of fondness and hope blossomed into tiny little flowers that soothed the aching sorrow for the dead. Each warcry of the beasts from another world fed the anger, the anguish Gaia seemed to exhibit at their intrusion; the revolt I felt upon laying my eyes on one of them made me sweat, hands clenching into fists until my skin crawled under my nails.

The last part of me that wanted to pretend I was in control was gone; my soft, untrained body a mere vessel for a force stronger than me, stronger than anything. Noise around me grew in pitch, some of the creatures circling around my hiding spot cluelessly, aimlessly, as if they could not find what they were looking for.

I moved spots in a daring series of runs, bringing me almost to the portal itself, and the hellish lizards dived into my previous sanctuary, shattering the concrete and the wood of the house under the amused black stares of glassless windows.

The realization set it - they could not see me. Or perceive me properly, I deduced, inspecting the creatures for any sort of orifice except for their mouths and finding them to lack eyes and ears.

My own stare fell onto Sorcerer Supreme, floating amongst a variety of moving golden circles; I was close enough to hear him talking in a language I did not know. Wanda was hovering nearby, holding up a wall of red energy, protecting the chanting sorcerer.

A united screech invoked a shiver from every living being within it's reach, the creatures circling the portal for the last time before flying off in haphazard directions as the portal slowly began to close. I was prepared to cheer, yet, something stopped me; not a second later, the circles surrounding Stephen dimmed as the man himself jumped up onto his feet in alarm, screaming something unintelligible at the Scarlet Witch.

The overturned food cart I was hiding behind slowly began to creep towards the portal. A couple of rats, a pigeon - the animals flew in front of my eyes, rapidly, as they struggled against the unseen force. My hands grasped the handlebars of the cart in vain, I struggled against the force, seeing a moment of confusion on Wanda's face as I floated- no, rocketed past her as Stephen's golden magic forcefully pushed her out of the portal's reach.

It's size no bigger than a doorway, the vile thing blew cold, dry air under my sweater, muffling Stephen's cursing as we briefly collided during our violent expulsion into another world.

And then, there was darkness.

Taglist! @couldntbedamned @mikariell95 @letsby @sleep-i-ness @toomanyrobins2 @mostly-marvel-musings @persephonehemingway @schemefrenzy @lillsxd @bluecrazedandbeautiful @slothspaghettiwrites @xoxabs88xox

[zombiegurlmode]

Sad that Camren Shippers are to blame. But alas, scape goats are necessary for someone to thrive

I’m not done ranting apparently. Clearly, after all of my satirical nature has come to pass, truth of the matter is, for someone who spoke so openly and highly of valuing love and honesty and all that jazz. Your words cut deeper than any knife could. And for someone who openly “claims” of being a part of the LGBT+ community, (whereas the numbers are thriving so much that more letters are added and we’re almost about to fill in the entire alphabet) we have yet to receive such a backlash coming from “supposedly” one of us. Imagine the horror right? True, perhaps your words may have been misconstrued by the public at large or twisted in some form to suit everyone’s selfish needs. I mean after all, isn’t that what camren shippers are called for - delusional AF and toxic as hell. Well, we don’t deny it and couldn’t deny the fact that yes, there are plenty of us who are quite enthusiastic to a fault. Honestly, tell me in what space or bygone era have toxic people never appeared in. Truth of the matter is, it’s how you deal with things and toxicity that affect each and everyone of us. Happiness is only a matter of possessing the right attitude. And no one, not any one, can take that away from you. Not even hardships.

There are several things I would like to personally address though. Camren shippers most likely than not have in some way or the other connected with you. We all something that we could relate to, From your internalized phobia, or from you getting to finally openly admit your own sexuality and fully embracing it wonderfully, or some other things that the others felt truly connected or as you love to so put it “resonate” with you. So don’t blame your fans if they are passionate in expressing themselves because all humans have escapism in them. And to some, perhaps, this is the only means they have some semblance of control to freely express themselves openly. No one is undermining your hardship when you were outed, or that fact that you were bullied for it, or pressured to act in a certain acceptable way so you may be deemed as socially normal “acceptable” human being, whereas all you truly deserve was love and compassion. But I would like to remind you of one very fine detail. When you were outed, camren shippers were there to support you. Because they (wasn’t here yet when it happened so I can’t include myself) understood well above and beyond that what you encountered was so horrendous. You were cheated and robbed of that one pleasure and right given to every LGBT+ member to pride on - the true nature of coming out. See the thing is, the homophobes corrupted the words coming out so much that even as LGBT+ members sometimes forget the true existence of it. it’s not about public declaration or waving the flag, or marching in rainbows, or stamping a giant sign across your forehead declaring that you’re a proud, frolicking, fun-loving, women-loving lesbian (or in any way the others identify themselves as). No! Coming out and its true nature is simply coming to terms with yourself on your own pace and leisure. So truly I am sorry that you have been cheated out of this privilege. But it wouldn’t be fair for you to lump it together with your emotions and throw it at your brethren (if you even consider us as such). Perhaps, that is not your intention. Just to be clear, I am not invaliding how you’ve felt or how you’re feeling now. No one has the power to do that to someone else - I’m referring to telling others how to feel. Yet the message we perceived is quite clear. That we, as a collective known as Camren Shippers, who “supposedly” belong to the LGBT+ community (ok, maybe not all of us. that’s too presumptive on my part) and pride on understanding your own volitions caused this very volitions to surface or in your words “manifest” in you. We are the hindrances that robbed you of your chance to have a decent flirtation towards the same sex. Ironically speaking, Camren Shippers were the ones also on the forefront of defending your honor when some boy belonging to a particular boy band along with his bandmates ridiculed and degraded your feminine existence simply because they thought they were joking around. I mean aren’t jokes like that - it’s all fun and games until someone gets hurt. Jokes most often than not are made at the expense of others. Doesn’t make it any less right, but then again who are we to blame them for something they thought of as a joke. Let’s all face it people, we are all guilty of this act. And yet, the CS never did falter. Carrying their banners of delusions and brandishing their armors of grandeurs, all in the name sake of defending someone who is belittled for the sake of “fun and games”. Even after deliberately attacking the CS for their enthusiasm and calling it invasive, they were still there for you especially so when they saw how pressure started affecting you. They were always so attuned to you that they were the first to notice signs that you may possibly be queer or you may possibly be undergoing some form of inner conflict. They all wish you good health and as you put it in words “send their love to you” so you may never feel alone enduring all this pain. And now imagine the heartache that every shipper might or might not be going through right now. Because apparently, that same support that they have been sending you is perceived as pain and suffering from your end. How would you feel if the very thought that the love and adoration you have causes someone pain and insecurity? So far, all that you have discussed is the negativity that surrounds an apparent DEAD SHIP. Negativity? Sounds familiar right? You preach on it on numerous occasion. You even wrote a song 50FT. Maybe you should be the one to listen on your own attunement. You brought so much negativity on the topic whereas it was meant to be about your coming out. Again, sorry that you’re coming out seemed more like a burden than liberation for you. And again, I apologize that we are the reason behind it.

Just to clarify. We never undermined your suffering. We know all too well the pain that one undergoes in this journey called self discovery of one’s true sexuality. To be honest, those of us who fear coming out or being outed because of rejection, bullying, disowning, we are the lucky ones. There are some of us who undergo far more threats by simply accepting who they truly are. They fear for the safety of their family, they fear for their own safety, they fear the valid threats of rape and degradation and being treated as if you are worse than animals. There are those individuals where the very soil that they stood upon view homosexuality as ILLEGAL and violation of such law would yield severe punishments. So tell them, tell them that they don’t know the risks, the pains, the sufferings, the deteriorations of ones’ sanities, tell them that they don’t understand it because all they ever care about is Camren. Tell them that they’re only glimmer of hope on priding on someone that may have found what they yearn for is invalid. Tell them that living vicariously on your life brings so much distraught on your otherwise calm existence. Tell them that and they have been the first ones to apologize that you felt that way. Because I’ve read their posts and I’ve felt their pains. And we are sorry to cause you so much pain.

I will remind you. No one forced you to audition for xfactor in the pursuance of your dream. You even have the support of your family for your journey. And we are all grateful that you did. Otherwise, we may not even have bothered you so much. Otherwise, we may not even know that you existed. So let me remind you that the industry you belong to - spotlight is king. So don’t go complaining if your put under the it - that’s the point of the industry my dear, the limelight. I’m a purchaser, I can’t complain if my daily tasks comprise of purchasing goods. Otherwise, I have no business being a purchaser. I’m clearly in the wrong field if I felt that way. So it wouldn’t be fair to tell your fans (if you even consider us as such) to blame us for putting you under the spotlight. May I make a suggestion? Try holding a concert without the lights on next time. You do have sensitive eyes because of the lack of melanin in your eyes. We get that.

Also, you know Becky G never did mention about camren. You brought it up on your own. Just like you’ve given us “it’s camren yo!”. You did say and i quote (uh oh i’m sure going to butcher this. I failed in quoting people all the time) “i don’t really talk about it” and then preceded to have entire litany about camren and whatnot. Ok, I get it, it was part of your coming out process. Cool. Then you’ve touched upon how reading fanfics have ruined you. And made you feel like a predator. Firstly, camren fanfics are intended for shippers only. Like all mediums, they have their own specific intended audieces. For you to wander into uncharted terrains, you must have understood the risks it entails. I don’t know which ones you’ve read, but most fics from decent authors have disclaimer on them. Did you even bother reading the disclaimer? On the onset of something that made you feel awkward or uncomfortable or disturbing, you should’ve stopped on your own and never be bothered with it again. That’s the usual thing to do. If any human find something or someone repulsive, they would ceased to seek it. But it bothered you so much and made you feel like a predator then you’ve read the entirety of it (maybe i’m exaggerating, ok a good chuck of it, sounds better?) Well someone did tell me it could have been born out of curiosity. Yeah curiosity did kill the cat, you know? Unless of course you’re a masochist, then now I finally understand and I have nothing more to add.

So for my parting words, I would again extend my deepest, sincerest apology I could muster in my current sane state for being the cause and hindrance for your inner peace and wellbeing. I am not mocking you. This is just the nature I write. Troublesome, I know. But I’m being honest. If my being a fan of you, and shipping you in our own little niche, caused you so much pain and suffering then I respect your wishes. It would be foolish of me to continue pouring my support to you when all along I’m actually doing the opposite and harming you in the process. I mean what decent human being would like to inflict pain unto others. So in honor of my last words relating to your brand Lauren Jauregui or the very dead ship that apparently troubled you so much, I bid you the very best. May you flourish on your career and find inner peace and true happiness forever and always. I would not like to be a fan of any brand that I’m the apparent cause whether directly or indirectly impedes in attaining their endeavors. All the best in your album release and who knows maybe I’ll stumble upon your music again someday. 

[bisexualoftheblade-old]

how many wips do you have? like what are they all, and not the number of wips in a fandom? what are all the names?

okay. fuck you. fuck you so much. fuck you.

i’m putting this under a read more cut no one else deserves to see this shit. a lot of these are requests, and for those i will just write out the request itself

Shadowhunters:

domestic polycule fluff with tem, jessa, and will because im not a coward

Supernatural

- hehe hoho i request destiel hehehe

- request 61/? cai cai cai cai i need you to rewrite the destiel scene but yk. GOOD. not like i'm in the know about the spn fandom or anything, it's been years for me. but DO IT

Bright Sessions

- caleb/adam grisha AU

- mark bryant vs. united states aka sue the AM

- caleb/adam college fluff

Umbrella Acaademy

- request 31/? i want a ben and klaus drabble please spare me some brotherly bickering

- AND SO BEGINS NIGHT 4 with request 13/? oooh oooh can i get a raymond and allison playlist??? i think their vibes together would SLAP

- hi there night 2 is technically morning 3 but who's counting not me anyway request 5/? can i get a ben moodboard? gotta rep my tua bb

Percy Jackson

- request 9/? can i get a percabeth moodboard or quote edit?? like god they're the og couple goals take me back to high school cai

- For the 100 follower things :D Jercy getting caught in the rain

- request 29/? a drabble about literally anything to do with pjo. i’ll be happy with anyone and anything i’m love these children

- *somersaults in like I’m a real fancy acrobat* hello ello ello may I request some camp half blood chaos possible involving *does a flip* ✨side characters✨ <3

Penumbra Podcast 

- request 52/? drabble about the penumbra podcast. this is for ren bc ren likes it and i don't actually know anything about it. juno? i think? that's the one ren likes. write it for ren

- Tpp ghost hunting / buzzfeed unsolved au

- sad juno smut

- final resting place fic go brrrr

Marvel

- request 6/? i'm going to my roots y'all can i get a spider-man playlist? if not a playlist then i'd honestly be happy with literally anything involving spider-man

- request 15/? i'm going crazy this is recorded evidence of me actually losing it ANYWAY can i get a quote edit for something from iron man? literally anything that man says is gold so cai's choice :D he deserved better in endgame i'm still bitter

- request 42/? do another spidey thing that differs from the other spidey thing

- request 73/? you have Opinions. rant about infinity way and/or endgame. go.

- request 74/? quote edit for deadpool!!

- spideytorch relationship character study

- peter parker as a tired grad student monitoring the young avengers (send help)

Six of Crows

- okay listen i wasn't going to request anything bc i worry about you but also? if you want to/have the time hit me with a playlist for our girl nina zenik

- request 43/? fuckin give me the ending anya should have had. she is alive and with her new son and having a great time

- request 45/? inej moodboard?

- request 47/? will you make literally any meme of your choosing for six of crows?

- request 48/? write a drabble for kaz, my favorite bastard

- okay so i don't actually like nina or mattias that much but i still wanna hear about your thoughts (and also see if you'll change my mind)

- kaz brekker turning 18 fic. birthday party, everyone singing, whole shebang. i need it stat

- religious trauma fic aka i started shipping kaz/alina/inej and i can’t stop

- kaz trauma soup (he has D.I.D. and you can’t prove me wrong)

- my two redacted fics for @grishaversebigbang​

- wesper fake dating

- six of crows bright sessions crossover: everyone gets therapy

TMA

- uhh... s1 gang having a nice time? melanie getting to have some Pride™️? some "fun" horror thing?

- request 7/? spare steph and jason bonding? please sir? spare some for a humble child such as myself?

- okay so this was meant for night 3 but i had midterm shit SO this is honorary night 3 let's DO THIS request 8/? i want a moodboard of extremely out of context magnus archives shit like i mean confuse the FUCK out of me i don't go here i know Nothing about it

- request 11/? OKAY so i need tim stoker meeting tim drake now i need my timmy to meet your tim plus i want to see character differences no i'm not trying to create a tim stoker in my head so i can read a's fic while NOT thinking of tim drake whaaaaaat you're crazy

- request 18(i think)/? i need a quote edit of every time within the first like. 15 eps of tam where jon is like “sounds fake but go off” thank u bb

- request 40/? i challenge you to write a tma drabble based only on the episodes i've heard. i'm currently halfway through episode 23

- Jon being lovingly bullied into taking a break. I'm aware this has been written a million times but it is one of my favorite things.

- spiral!sasha AU

- extinction martin go brrrrr

- high school era timsasha. they've both been friends for years, and everyone always asks when they will be a couple. they decide to fake date, to prove everyone wrong and show what a bad couple they would be. turns out that's a bit trickier than they thought

- after sasha comes back, tim is broken. he can't let go, scared that if he looks away for even a minute he'll lose her again. sasha suggests shibari as a way for him to give up control

- sasha pov mag 19 au, sacrificing herself to save the others, knows that if she gives herself up to the not!them it will let the others live

- this is the "tim finds a polaroid of sasha" trope

- early archives days,, long nights in research,,, clothes sharing,, somft. late nights and falling asleep at their desks warm and safe in the other's presence

- two parts: timsasha as kids, each picking a constellation that is "theirs". just soft kid antics. tim at sasha's grave glancing up to see their constellations

- continuing your job’s a joke (you’re broke)

DC Comics

- TIMSTEPH HADESTOWN AU,,,

- my redacted fic for @batfam-big-bang​

- request for you to get a decent amount of sleep? serious answer, dickkori, SAL's Venus

- request 4/? timsteph morning after 👀 mayhaps?

- a concept: nonbinary stephanie brown

- teehee hi mom, you don’t have to do this if you don’t want to, but can i request damian angst for your accomplishments 100 followers?

- hi you can ignore my first request if you want, or you can ignore this one. but bls possibly write some bikini ra’s? -the bikini bitch

- request 27/? jay is asking through me for a jondami playlist but tbh i also want it so win win yk?

- "I don't know how to help you but I can help you find someone who does" with bruce and jason? im just craving bruce being a good day to jason for once

- “I am putting you in time out because you need to understand the consequences of your actions.” with steph and jason as dumbass disaster bi best friends pretty please?

- request 32/? timsteph patrol date!!!

- request 33/? timsteph *gala* date? mayhaps??

- request 37/? tim drake drabble but make it Edgy cai

- request 39/? drabble of a prank war between tim and damian

- joyfire cuddly fluff please? or like just any outlaw fluff if joyfire isnt your thing (feel free to add every member of the outlaws, dont feel like u gotta stick with jason, kori, roy i love them all)

- barbara and robin! jason fluff? bonding over books or something?

- request 62/? i need a drabble about the chaotic trio jason, tim, and steph i'm love them ty

- request 63/? batfam x mcu crossover. batfam meets ironfam. give me ALL the cliches. ALL OF THEM

- request 64/? young justice x young avengers - jay cuz idk SHIT about the young avengers

- request 66/? jondami moodboard pls and ty

- request 67/? timsteph moodboard!!!!!!

- request 69/? HEHEHE kinky 😏 i would v much like a timsteph drabble of the almost first time. does that make sense? like i don't want you to go all the way NSFW cuz i know that's against the rules and i'm a rule follower. but like they *almost* go all the way. this could be fade to black or some shit i don't care just make it a lil steamy and have Fun

- i request damian angst! all of it

- hmm... maybe i request? jondami?

- mayhaps,,,,some batfam,,,,,committing crimes? ily be gay do crime <3 - lu

- How about a ficlet with Steph and Cass?

Found Family Bingo Prompts

- no powers au

- tunnel

- first day

- join the club

- hurt/comfort

- experiment

- playing favorites

- hold on

- possession

- 10 o’clock

- singing

- road

- snitch

- curfew

- timer

- fantasy au

- zombie au

- dreams

- campfire

- are you okay

- movie night

- games

- scared

Miscellaneous

- a request: Write A Drabble, Coward

- is it too late to request a moodboard for me?

- request 20/? i’m going off book because i’m in a Chaotic Mood™️ can you just absolutely vibe check me like go off cai demolish me

- request 21/? i formally request that you pick a favorite cai. i don’t care what that favorite pertains to, just pick a favorite something

- request 23/? roast me

- request 24/? can i have a buzzfeed unsolved spoopy playlist but spoiler alert it’s not spoopy bc shane doesn’t believe does this make sense it has been a Day™️

- request 25/50 i want a jake and amy fic make it Soft cai i’m love them b99 is so good

- request 28/? i know nothing about the lord of the rings so make something that will confuse the shit out of me

- request 34/? malvie and jaylos moodboards 😈

- request 35/? a moodboard for the bbb mods!! perceive all of us!!!

- request 36/? moodboard for the tua mods too???? mayhaps??

- request 41/? doctor WHO? idk but i want a drabble of him and the one character i know from doctor who which is rose

- request 46/? make an alignment meme with our group, have fun!!!

- request 49/? i want you to kin assign me a character from every fandom you can/want to. go feral

- request 50!!!!/? this is a special request. the most special request. can you make a bastards tbh playlist? i want our vibes encapsulated. i want us in music form. i want to hear those songs and be like "that's me and cai" and smile.

- requests 51/? i know jack shit about good omens. explain it to me in the most confusing way possible. make me know less by the end than i know now

- request 53/? can you write a mel aesthetic? i'm Curious

- request 54/? give me a list of book recs cai i want some good book recs pls

- request 56/? edit a picture of US together too

- request 58/? oooh can i have a disney edit? like. hm. i just really love disney and i want anything to do with disney. like a quote or an aesthetic or an aesthetic edit i just want disney.

- request 59/? i would v much like a recipe for carbonara. i've never had it but it sounds fucking delicious

- request 60/? ooh hey can i get a makeup tutorial? i know you like makeup, i'm shit at doing makeup. teach me

- request 65/? i need the most emo playlist you can make that vibes with dear evan hansen thank you

- request 68/? i want a superwholock moodboard. this can be serious, with the actual fandoms in mind, or literally what the era felt like. the insanity. the horror.

- request 70/? ooh ooh ooh do you have a good bread recipe?? i wanna get that bread

- request 71/? i want a playlist with the vibes of summoning a demon. please don't ask questions. i don't have answers. and if i do, no i don't.

- For the requests, how about writing something based on a friend?

- request 75/? MMMM i want literally anything to do with natasha, pierre, and the great comet of 1812

- request 76/? i want some healthy recipes. help a girl out

- a feral bbb quote or two?

- you perceive my plant but now I dare thee to perceive mine own visage

- okay this is a two for one request. 1. you did the bee movie script so now we need a shrek two script edit 2. sleep please

- Pansexual mb for my lil queer soul?

- my (probably) final request is just for you to ramble about something, i don't really care what

- HI ILY CONGRATS AS WELL CAUSE IM LATE BUT CONGRATS. could i request a pirates of the caribbean (or just pirates) or whatever you what to do, free range.

- mood board for the beluga whales who got brought to the animal sanctuary in Iceland please?

- 100 follower request: Moodboard for my stuffed cow Oaky?